ARRI ARRIFLEX Series Cameras | 756 Titles
Killers of the Flower Moon (2023)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Buffalo ’66 (1998)
Directed by | Vincent Gallo | Cinematography by | Lance Acord | Editing by | Curtiss Clayton
Lenses | Zeiss Super Speed Lenses
The Castle (1997)
Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett
Cameras | ARRIFLEX 16SR2 Camera
8½ (1963)
Directed by | Federico Fellini | Cinematography by | Gianni Di Venanzo | Editing by | Leo Catozzo
Cameras | ARRIFLEX 35 IIC Camera
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Showgirls (1995)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Mark Helfrich
Cameras | ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera
Predator (1987)
Directed by | John McTiernan | Cinematography by | Donald McAlpine | Editing by | Mark Helfrich, John F. Link
Cameras | ARRIFLEX 35 III Camera, Panavision Cameras
Star Wars: Episode VI – Return of the Jedi (1983)
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Fanny and Alexander (1983)
| Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson
Cameras | ARRIFLEX 35 BL Camera
Raw Deal (1986)
Directed by | John Irvin | Cinematography by | Alex Thomson | Editing by | Anne V. Coates
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Cooke Xtal Express Lenses
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Super Speed Lenses
Ad Astra (2019)
Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen
Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
The Lost City of Z (2016)
Directed by | James Gray | Cinematography by | Darius Khondji | Editing by | John Axelrad, Lee Haugen
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera
Lenses | Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses
The Old Man & the Gun (2018)
Directed by | David Lowery | Cinematography by | Joe Anderson | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 416 Camera
Lenses | Canon Lenses, Cooke S4 Lenses
Thunderball (1965)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Live and Let Die (1973)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, Raymond Poulton, John Shirley
Cameras | ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200
Lenses | Panavision Super Speed Lenses
The Man with the Golden Gun (1974)
Directed by | Guy Hamilton | Cinematography by | Ted Moore, Oswald Morris | Editing by | Raymond Poulton, John Shirley
Lenses | Panavision Super Speed Lenses
The Spy Who Loved Me (1977)
Moonraker (1979)
For Your Eyes Only (1981)
Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
