Panavision | 124 Titles
Drive Thru (2007)
Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
Stranger in the House (2015)
Directed by | Devon Gummersall | Cinematography by | David Maurice Gil | Editing by | Jacob Chase
Cameras | ARRI ALEXA Series Cameras
Lenses | Panavision PVintage Prime Lenses
Deliver Us from Evil: Sarchie (2014)
Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Fury (2014)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Exodus: Gods and Kings (2014)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich
Cameras | Red Epic Dragon Camera
Tammy (2014)
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
Last Passenger (2013)
Directed by | Omid Nooshin | Cinematography by | Angus Hudson | Editing by | Joe Walker
Cameras | ARRI ALEXA Plus Camera
The SpongeBob Movie: Sponge Out of Water (2015)
Directed by | Paul Tibbitt, Mike Mitchell | Cinematography by | Phil Meheux | Editing by | David Ian Salter
Cameras | ARRI ALEXA Camera
Into the Woods (2014)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Hunger Games: Mockingjay – Part 1 (2014)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Divergent (2014)
Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses
After the Sunset (2004)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich
Cameras | ARRICAM Lite (LT) Camera, Panavision Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Diana (2013)
Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses
2 Guns (2013)
Jack Ryan: Shadow Recruit (2014)
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Curfew (2012)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Evan Henke
Cameras | Red One Camera
Hitchcock (2012)
Directed by | Sacha Gervasi | Cinematography by | Jeff Cronenweth | Editing by | Pamela Martin
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
