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Panavision Sydney | 4 Titles

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Hotel Mumbai (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty

Starring | Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses

Oranges and Sunshine (2010)

Motion Picture | 2D | 2K Project | Color | 2.40:1 | 105 Minutes

Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper

Starring | Emily Watson, Aisling Loftus, Stuart Wolfenden, Lorraine Ashbourne

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Mad Max: Fury Road (2015)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel

Starring | Tom Hardy, Charlize Theron, Nicholas Hoult, Zoë Kravitz

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Triangle (2009)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Directed by | Christopher Smith | Cinematography by | Robert Humphreys | Editing by | Stuart Gazzard

Starring | Melissa George, Joshua McIvor, Jack Taylor, Michael Dorman

Cameras | Panavision Genesis Camera

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