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Super 8 Camera Aperture | 18 Titles

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The Other Side of the Wind (2018)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1, 1.85:1 | 122 Minutes

Directed by | Orson Welles | Cinematography by | Gary Graver | Editing by | Bob Murawski, Orson Welles

Starring | John Huston, Oja Kodar, Peter Bogdanovich

Cameras | Éclair NPR Camera

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

8MM (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens

Starring | Nicolas Cage, Joaquin Phoenix, James Gandolfini, Peter Stormare

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

Natural Born Killers (1994)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 118 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Woody Harrelson, Juliette Lewis, Tom Sizemore, Rodney Dangerfield

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

JFK (1991)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 189 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia

Starring | Kevin Costner, Gary Oldman, Jack Lemmon, Walter Matthau

Cameras | ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses | Panavision E35 35 mm T2.0 Lens

American Horror Story (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

Jackrabbit (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Carleton Ranney | Cinematography by | Ashley Connor | Editing by | Talia Barrett, Joseph Stankus

Starring | Ryan Dailey, Alexander Hodgins, Boots Wooten, Cinda Donovan

Cameras | ARRI ALEXA Series Cameras, Blackmagic Design Cameras

Oldboy (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown

Starring | Josh Brolin, Elizabeth Olsen, Samuel L. Jackson, Sharlto Copley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses

Hickory Never Bleeds (2012)

Motion Picture | 2D | Color | 81 Minutes

Hickory Never Bleeds | ShotOnWhat?

Directed by | Frank Ladner | Cinematography by | Frank Ladner | Editing by | Frank Ladner

Starring | Susan Bass, Kayla Carlisle, Mark Easley, Mark Forte

Cameras | Bauer C1 Super 8 Camera, Canon EOS-7D Camera

Lenses | Asahi Pentax Super Takumar 50 mm f1.4 Lens, Canon EF 85 mm f1.4 Lens, Sigma 17-50mm f2.8 EX DC OS HSM Lens, Sigma 30mm f1.4 EX DC HSM Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

The Purple Rose of Cairo (1985)

Motion Picture | 2D | Black and White, Color | 1.85:1 | 82 Minutes

The Purple Rose of Cairo | ShotOnWhat?

Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Susan E. Morse

Starring | Mia Farrow, Jeff Daniels, Danny Aiello, Irving Metzman

Cameras | Panavision Cameras

Super 8 (2011)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey

Starring | Elle Fanning, AJ Michalka, Kyle Chandler, Joel Courtney

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Argo (2012)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg

Starring | Ben Affleck, Bryan Cranston, John Goodman, Alan Arkin

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Pearl Harbor (2001)

Motion Picture | 2D | Black & White, Color | 2.20:1, 2.39:1 | 183 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Starring | Ben Affleck, Kate Beckinsale, Josh Hartnett, William Lee Scott

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

28 Days Later… (2002)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

28 Days Later… | ShotOnWhat?

Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill

Starring | Cillian Murphy, Naomie Harris, Christopher Eccleston, Alex Palmer

Cameras | ARRI Cameras, Canon XL1 Camera

Lenses | Canon EC Series Lenses, Canon EJ Series Lenses

An Inconvenient Truth (2006)

Documentary | 2D | HD Project | Color | 1.85:1 | 96 Minutes

Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik

Starring | Al Gore, Billy West, George Bush, George W. Bush

Cameras | Sony HDC-F950 Camera

My Sister’s Keeper (2009)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

My Sister’s Keeper | ShotOnWhat?

Directed by | Nick Cassavetes | Cinematography by | Caleb Deschanel | Editing by | Jim Flynn, Alan Heim

Starring | Cameron Diaz, Abigail Breslin, Alec Baldwin, Walter Raney

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

©2012 - 2024 ShotOnWhat?

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