2D Animation | 106 Titles
Äkta människor (2012)
| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Elf-Man (2012)
Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove
Cameras | Sony Cameras
Lenses | Red Digital Cinema Lenses
Warm Bodies (2013)
Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson
Paperman (2012)
Mirror Mirror (2012)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Robert Duffy, Nick Moore
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
Zero Dark Thirty (2012)
Directed by | Kathryn Bigelow | Cinematography by | Greig Fraser | Editing by | William Goldenberg, Dylan Tichenor
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Dead Survivors (2010)
Directed by | David Brückner | Cinematography by | David Brückner | Editing by | David Brückner
Cameras | Canon EOS 500D Camera, Sony HDR-FX1000 Camera
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
Save Me (2013)
| Cinematography by | Lloyd Ahern II | Editing by | Gregg Featherman, Elba Sanchez-Short, Dan Schalk, Tara Timpone
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Lenses
Matru ki Bijlee ka Mandola (2013)
Directed by | Vishal Bhardwaj | Cinematography by | Kartik Vijay | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA Camera, ARRI Cameras
Ice Age: Dawn of the Dinosaurs (2009)
Arrival II (1998)
Directed by | Kevin Tenney | Cinematography by | Bruno Philip | Editing by | Gregory Fine, Heidi Haines
Lenses | Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
Tequila (2011)
Directed by | Sergio Sánchez Suárez | Cinematography by | Andronico Gonzalez | Editing by | Alejandro Carrillo Penovi, Dankmar Garcia, Andronico Gonzalez, Mauro Rivera, Sergio Sánchez Suárez
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Atom the Amazing Zombie Killer (2012)
Directed by | Zack Beins, Richard Taylor | Cinematography by | Richard Taylor | Editing by | Tim Johnson, Richard Taylor
Cameras | Sony PMW-EX1 Camera
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
