IMAX DMR (Digital Media Remastering) | 74 Titles
Chappie (2015)
 Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt 
 
  Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera 
  Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses 
Ender’s Game (2013)
 Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Lee Smith, Zach Staenberg 
 
  Cameras | Red Epic Camera 
Seventh Son (2014)
 Directed by | Sergei Bodrov | Cinematography by | Newton Thomas Sigel | Editing by | Michael Kahn, Jim Page, Paul Rubell 
 
  Cameras | ARRI ALEXA Camera 
The Amazing Spider-Man 2 (2014)
 Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia  
 
  Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses 
Elysium (2013)
 Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith 
 
  Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera 
  Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses 
Beowulf (2007)
 Directed by | Robert Zemeckis | Cinematography by | Robert Presley | Editing by | Jeremiah O'Driscoll
 
 Journey to the West (2013)
 Directed by | Stephen Chow, Chi-kin Kwok | Cinematography by | Sung Fai Choi | Editing by | Chi Wai Chan 
 
  Cameras | ARRI ALEXA Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
The Croods (2013)
 Directed by | Kirk DeMicco, Chris Sanders | Cinematography by | Yong Duk Jhun | Editing by | Darren T. Holmes
 
 Furious 6 (2013)
 Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner 
 
  Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera 
 Man of Steel (2013)
Star Trek Into Darkness (2013)
 Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey 
 
  Cameras | ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera 
  Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses 
The Hunger Games: Catching Fire (2013)
 Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell  
 
  Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses 
Oblivion (2013)
 Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce 
 
  Cameras | Red Epic Camera, Sony CineAlta F65 Camera 
  Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens 
The Hobbit: An Unexpected Journey (2012)
 Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen 
 
  Cameras | Red Epic Camera 
  Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses 
The Twilight Saga: Eclipse (2010)
 Directed by | David Slade | Cinematography by | Javier Aguirresarobe | Editing by | Art Jones, Nancy Richardson 
 
  Cameras | Panavision Cameras 
Happy Feet (2006)
 Directed by | George Miller, Warren Coleman, Judy Morris | Cinematography by | David Peers | Editing by | Christian Gazal, Margaret Sixel
 
 Harry Potter and the Order of the Phoenix (2007)
 Directed by | David Yates | Cinematography by | Slawomir Idziak | Editing by | Mark Day 
 
  Cameras | ARRI Cameras 
Transformers: Revenge of the Fallen (2009)
 Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell 
 
  Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses 
300 (2006)
 Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy 
 
  Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera 
Sucker Punch (2011)
 Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy 
 
  Cameras | Panavision Cameras 
 
  
 
















































































