Digital Cinema | 1861 Titles
Wind River (2017)
Directed by | Taylor Sheridan | Cinematography by | Ben Richardson | Editing by | Gary Roach
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera
Guardians of the Galaxy Vol. 3 (2023)
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Greg D'Auria, Fred Raskin
Lenses | Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses
Tully (2018)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Stefan Grube
Cameras | ARRI ALEXA Mini Camera
Skyfall (2012)
Quantum of Solace (2008)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Spectre (2015)
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Meet Natasha (2022)
Directed by | Antonio Oliveros-Nikol | Cinematography by | Benjamin Steeper | Editing by | Antonio Oliveros-Nikol
Cameras | Blackmagic Pocket Cinema 4K Camera
Lenses | Meike Lenses
Molly’s Game (2017)
Directed by | Aaron Sorkin | Cinematography by | Charlotte Bruus Christensen | Editing by | Alan Baumgarten, Elliot Graham, Josh Schaeffer
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
My Friend Dahmer (2017)
Directed by | Marc Meyers | Cinematography by | Daniel Katz | Editing by | Jamie Kirkpatrick
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Primo Anamorphic Lenses
The BFG (2016)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRI ALEXA XT Series Cameras
Game Night (2018)
Directed by | John Francis Daley, Jonathan Goldstein | Cinematography by | Barry Peterson | Editing by | David Egan, Jamie Gross, Gregory Plotkin
Lenses | Cooke S4/i Lenses
The Sisters Brothers (2018)
Directed by | Jacques Audiard | Cinematography by | Benoît Debie | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
The Nun (2018)
Directed by | Corin Hardy | Cinematography by | Maxime Alexandre | Editing by | Michel Aller, Ken Blackwell
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
The Little Church That Could (2022)
Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
Godzilla Minus One (2023)
Directed by | Takashi Yamazaki | Cinematography by | Kôzô Shibasaki | Editing by | Ryûji Miyajima
Cameras | Sony CineAlta VENICE Camera
Dark Side of Football (2021)
Directed by | Jason Sklaver | Editing by | Daniel Holechek
Cameras | ARRI ALEXA Mini Camera, Sony α7S II Camera
Lenses | Angenieux EZ Series Lenses, Cooke Lenses, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens
Lies Behind Their Eyes (2020)
Directed by | Alberto Ornelas, Geno Reyna, Emilio Lozano | Cinematography by | Emilio Lozano, Alberto Ornelas, Geno Reyna | Editing by | Alberto Ornelas
Cameras | Sony PXW-FS5M2 Camera
Portrait of a Lady on Fire (2019)
Directed by | Céline Sciamma | Cinematography by | Claire Mathon | Editing by | Julien Lacheray
Cameras | Red Monstro 8K Camera
Lenses | Leitz THALIA Series Lenses
Burma Road – Flying Tigers (2015)
Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
The Protectors (2020)
