Acquisition » Celluloid

Celluloid | 3105 Titles

Celluloid 3.60/5 10 Votes

« Previous 1 … 16 17 18 19 20 … 156 Next »

LessUpdatedTitleYear

Mission: Impossible II (2000)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Mission: Impossible II | ShotOnWhat?

Directed by | John Woo | Cinematography by | Jeffrey L. Kimball | Editing by | Steven Kemper, Christian Wagner

Starring | Tom Cruise, Dougray Scott, Thandiwe Newton

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Dark City (1998)

Motion Picture | 2D | Film Project | Color | 100 Minutes

Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig

Starring | Rufus Sewell, Kiefer Sutherland, Jennifer Connelly, William Hurt

Cameras | Panavision Panaflex Gold II Camera

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Sick of Myself (2022)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli

Starring | Kristine Kujath Thorp, Eirik Sæther, Fanny Vaager

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Cooke Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Mr. Nobody (2009)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress

Starring | Jared Leto, Sarah Polley, Diane Kruger

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Beginning (2020)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier

Starring | Ia Sukhitashvili, Rati Oneli, Kakha Kintsurashvili

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Cooke 5/i Prime 25mm T1.4 Lens

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Breaking Bad (2008)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 49 Minutes

| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo

Starring | Bryan Cranston, Aaron Paul, Anna Gunn, Betsy Brandt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses

500 Days of Summer (2009)

Motion Picture | 2D | 2K Project | Color | 95 Minutes

Directed by | Marc Webb | Cinematography by | Eric Steelberg | Editing by | Alan Edward Bell

Starring | Zooey Deschanel, Joseph Gordon-Levitt, Geoffrey Arend, Chloë Grace Moretz

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

The French Dispatch (2021)

Movie | Black & White, Color | 1.37:1, 2.39:1 | 107 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum

Starring | Benicio Del Toro, Adrien Brody, Tilda Swinton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Cooke S4/i Lenses

The Texas Chainsaw Massacre (2003)

Motion Picture | 2D | Film Project | Black & White, Color | 1.85:1 | 98 Minutes

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Glen Scantlebury

Starring | Jessica Biel, Jonathan Tucker, Andrew Bryniarski, Erica Leerhsen

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Transsiberian (2008)

Motion Picture | Color | 2.39:1 | 111 Minutes

Directed by | Brad Anderson | Cinematography by | Xavi Giménez | Editing by | Jaume Martí

Starring | Woody Harrelson, Emily Mortimer, Ben Kingsley, Kate Mara

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Lenses

Things to Come (1936)

Motion Picture | 2D | Film Project | Black & White | 100 Minutes

Directed by | William Cameron Menzies | Cinematography by | Georges Périnal

Starring | Raymond Massey, Edward Chapman, Ralph Richardson

Behold the Lamb (2011)

Motion Picture | 2D | HD Project | Color | 2.35:1 | 85 Minutes

Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson

Starring | Aoife Duffin, Nigel O'Neill, Shaun Paul McGrath

Cameras | ARRIFLEX 16mm Cameras

Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses

Glengarry Glen Ross (1992)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 100 Minutes

Directed by | James Foley | Cinematography by | Juan Ruiz Anchía

Starring | Al Pacino, Jack Lemmon, Alec Baldwin

Sound of Metal (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Darius Marder | Cinematography by | Daniël Bouquet | Editing by | Mikkel E.G. Nielsen

Starring | Riz Ahmed, Olivia Cooke, Paul Raci, Lauren Ridloff

Cameras | Aaton Penelope Camera

Mother! (2017)

Motion Picture | 2D | 2K Project | Color | 121 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

Room X (2008)

Motion Picture | 2D | Black & White | 1.33:1 (4x3) | 8 Minutes

Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams

Starring | Andrew Lawton, Yuko Takahashi, Hiromi Saeki, Pen Williams

Cameras | Bolex H16 SB Camera

Lenses | Angenieux Lenses

« Previous 1 … 16 17 18 19 20 … 156 Next »

©2012 - 2025 ShotOnWhat?

20254.20