Celluloid | 3105 Titles
Dark Angels (1998)
Tarzan the Ape Man (1981)
Fallen Angels (1995)
Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle | Editing by | William Chang, Ming Lam Wong
Cameras | ARRI Cameras
Lenses | Kinoptik Lenses
Bliss (2019)
Directed by | Joe Begos | Cinematography by | Mike Testin | Editing by | Josh Ethier
Lenses | Zeiss Super Speed Lenses
Cotton Wool (2017)
Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil
Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera
Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens
Lord of the Flies (1990)
Directed by | Harry Hook | Cinematography by | Martin Fuhrer | Editing by | Harry Hook
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Home Alone (1990)
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Speed Panchro Lenses, Zeiss Lenses
Terminator 2: Judgment Day (1991)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Warlock (1989)
Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Wave (2008)
Directed by | Dennis Gansel | Cinematography by | Torsten Breuer | Editing by | Ueli Christen
Cameras | ARRI Cameras
Lenses | ARRI Lenses
Event Horizon (1997)
Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter
Cameras | Panavision Panaflex Platinum Camera
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
The Rolling Stones Rock and Roll Circus (1996)
Directed by | Michael Lindsay-Hogg | Cinematography by | Anthony B. Richmond | Editing by | Ruth Foster, Robin Klein
Chopper (2000)
Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows
This Is My Desire (2020)
Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee
The Dead and the Others (2018)
Directed by | Renée Nader Messora, João Salaviza | Cinematography by | Renée Nader Messora | Editing by | Ricardo Alves Jr., Thiago Macêdo Correia, José Edgar Feldman, Renée Nader Messora, João Salaviza
My Mother’s Castle (1990)
The Last Dance (2020)
| Cinematography by | Thomas McCallum | Editing by | Chad Beck, Devin Concannon, Abhay Sofsky, Ben Sozanski
Cameras | Aaton XTR Camera
The Enchantress of Number (2018)
Directed by | Rebecca Murga | Cinematography by | David Auner
Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
On the Battlefield (1972)
Directed by | Peter Biskind | Cinematography by | Peter Biskind | Editing by | Peter Biskind
Cameras | Bolex H16 RX4 Camera, Éclair NPR Camera
Lenses | Angenieux Lenses
