Celluloid | 3105 Titles
Veronica Guerin (2003)
Directed by | Joel Schumacher | Cinematography by | Brendan Galvin | Editing by | David Gamble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Almost Famous (2000)
Directed by | Cameron Crowe | Cinematography by | John Toll | Editing by | Joe Hutshing, Saar Klein
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Passion in the Desert (1997)
Alex Rider: Operation Stormbreaker (2006)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Great Expectations (1998)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Interlocked: Thrilled to Death (1998)
Directed by | Rick Jacobson | Cinematography by | Jesse Weathington | Editing by | Jeffrey Schwarz
Cameras | ARRIFLEX Camera
De fem benspænd (2003)
Directed by | Jørgen Leth, Lars von Trier | Cinematography by | Dan Holmberg | Editing by | Morten Højbjerg, Camilla Skousen
Cameras | ARRI Cameras
Dirty Laundry (Air It Out) (2003)
Directed by | Shannon Newby | Cinematography by | MJ Schirmer | Editing by | Erik Hammarberg, Shannon Newby
Cameras | ARRI Cameras, Cinema Products Cameras
Lenses | Angenieux Lenses
…And Then She Was Gone (1991)
Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Red Riding Hood (2011)
Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong
The Ghost and the Darkness (1996)
Directed by | Stephen Hopkins | Cinematography by | Vilmos Zsigmond | Editing by | Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Let the Right One In (2008)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Tomas Alfredson, Dino Jonsäter
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
A Night at the Roxbury (1998)
Directed by | John Fortenberry | Cinematography by | Francis Kenny | Editing by | Jay Kamen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Special Relationship (2010)
Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Hubble 3D (2010)
White Noise (2005)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Nick Arthurs
Cameras | Panavision Cameras
Lenses | Panavision Lenses
24 7: Twenty Four Seven (1997)
Directed by | Shane Meadows | Cinematography by | Ashley Rowe | Editing by | William Diver
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Lenses
Leap Year (2010)
Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore
Cameras | Panavision Panaflex Millennium XL Camera
Kill Bill: Vol. 2 (2004)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Cameras | Panavision Panaflex Platinum Camera