Year Released ~ 2015 | 2137 Titles
Katyar Kaljat Ghusali (2015)
Directed by | Subodh Bhave | Cinematography by | Sudhir Palsane | Editing by | Ashish Mhatre, Apurva Motiwale
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
The 33 (2015)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses
Tracers (2015)
Directed by | Daniel Benmayor | Cinematography by | Nelson Cragg | Editing by | Peter Amundson
Cameras | Red Epic Camera
Aldabra: Once Upon an Island (2015)
Directed by | Steve Lichtag | Cinematography by | Ondrej Hosek, Miroslav Hrdý, Vojtech Nedved | Editing by | Radim Kotesovec
Cameras | Red Epic Camera
Pan (2015)
Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill
Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses
Crimson Peak (2015)
Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana
Cameras | ARRI ALEXA XT Camera
Meadowland (2015)
Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Tomorrowland (2015)
Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
The Intern (2015)
Directed by | Nancy Meyers | Cinematography by | Stephen Goldblatt | Editing by | Robert Leighton
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Sicario (2015)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Lenses | Zeiss Master Prime Lenses
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Southpaw (2015)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Ventoux (2015)
Directed by | Nicole van Kilsdonk | Cinematography by | Anton Mertens | Editing by | Moek de Groot
Cameras | ARRI ALEXA Camera
Lenses | Cooke Lenses, Cooke Speed Panchro Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Hateful Eight (2015)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Les cowboys (2015)
Directed by | Thomas Bidegain | Cinematography by | Arnaud Potier | Editing by | Géraldine Mangenot
Cameras | ARRI ALEXA XT Camera
Ex Machina (2014)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
The Survivalist (2015)
Directed by | Stephen Fingleton | Cinematography by | Damien Elliott | Editing by | Mark Towns
Cameras | ARRI ALEXA Plus Camera, Blackmagic Design Cameras
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
