Year Released ~ 2015 | 2137 Titles
Tsunami (2015)
Directed by | Jacques Deschamps | Cinematography by | Octávio Espírito Santo | Editing by | Luc Forveille
Les Homosapiennes (2015)
Directed by | Tony Borden, Brendan Ferrer | Cinematography by | Aaron Wesner | Editing by | Tony Borden, Brendan Ferrer
La vie très privée de Monsieur Sim (2015)
Directed by | Michel Leclerc | Cinematography by | Guillaume Deffontaines | Editing by | François Gédigier
Cameras | Red Epic Dragon Camera
On voulait tout casser (2015)
Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Le dernier loup (2015)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Reynald Bertrand
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens
My King (2015)
Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
Child 44 (2015)
Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Pietro Scalia, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk Anamorphic Lenses
Jamais de la vie (2015)
Directed by | Pierre Jolivet | Cinematography by | Jérôme Alméras | Editing by | Yves Deschamps
Cameras | Sony PMW-F55 Camera
À 14 ans (2015)
Directed by | Hélène Zimmer | Cinematography by | Caroline Champetier | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
Journal d’une femme de chambre (2015)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Julia Gregory
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Une enfance (2015)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Isabelle Devinck
Cameras | Sony PMW-F55 Camera
Je vous souhaite d’être follement aimée (2015)
Directed by | Ounie Lecomte | Cinematography by | Caroline Champetier | Editing by | Tina Baz
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses
En équilibre (2015)
Directed by | Denis Dercourt | Cinematography by | Julien Hirsch | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Une mère (2015)
Directed by | Christine Carrière | Cinematography by | Jeanne Lapoirie | Editing by | Martine Barraqué
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Boomerang (2015)
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Rudhramadevi (2015)
Directed by | Gunasekhar | Cinematography by | Ajay Vincent | Editing by | A. Sreekar Prasad
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
La belle saison (2015)
Directed by | Catherine Corsini | Cinematography by | Jeanne Lapoirie | Editing by | Frédéric Baillehaiche
Cameras | ARRI ALEXA Series Cameras
Et ta soeur (2015)
Directed by | Marion Vernoux | Cinematography by | Nicolas Gaurin | Editing by | Guerric Catala
Cameras | ARRI AMIRA Camera
La dernière leçon (2015)
Directed by | Pascale Pouzadoux | Cinematography by | Nicolas Brunet | Editing by | Sylvie Gadmer
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
