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Shade VFX | 17 Titles

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John Wick: Chapter 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Riccardo Scamarcio, Ian McShane

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

The Nun (2018)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Corin Hardy | Cinematography by | Maxime Alexandre | Editing by | Michel Aller, Ken Blackwell

Starring | Demián Bichir, Taissa Farmiga, Jonas Bloquet

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

Ocean’s Eight (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling

Starring | Sandra Bullock, Cate Blanchett, Anne Hathaway

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

The Greatest Showman (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Starring | Hugh Jackman, Michelle Williams, Zac Efron

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

The 5th Wave (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell

Starring | Chloë Grace Moretz, Matthew Zuk, Gabriela Lopez, Bailey Anne Borders

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Intern (2015)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Nancy Meyers | Cinematography by | Stephen Goldblatt | Editing by | Robert Leighton

Starring | Robert De Niro, Anne Hathaway, Rene Russo, Anders Holm

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Interview (2014)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker, Evan Henke

Starring | James Franco, Seth Rogen, Randall Park, Lizzy Caplan

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Hercules (2014)

Motion Picture | 3D | Color | 98 Minutes

Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong

Starring | Dwayne Johnson, John Hurt, Ian McShane, Joseph Fiennes

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Teenage Mutant Ninja Turtles (2014)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury

Starring | Megan Fox, Will Arnett, William Fichtner, Noel Fisher

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Side Effects (2013)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Side Effects | ShotOnWhat?

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh

Starring | Rooney Mara, Channing Tatum, Jude Law, Catherine Zeta-Jones

Cameras | Red Epic Camera

Gangster Squad (2013)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Gangster Squad | ShotOnWhat?

Directed by | Ruben Fleischer | Cinematography by | Dion Beebe | Editing by | Alan Baumgarten, James Herbert

Starring | Sean Penn, Ryan Gosling, Emma Stone, Giovanni Ribisi

Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses | Panavision G Series Anamorphic Lenses

Battle Los Angeles (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner

Starring | Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Ramón Rodríguez

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

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