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Framestore CFC, London : 18

Framestore | 56 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

The Matrix Resurrections (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally

Starring | Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II

Cameras | Red Komodo Camera

Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Avengers: Endgame (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Beauty and the Beast (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz

Starring | Emma Watson, Dan Stevens, Luke Evans

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Darkest Hour (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.85:1 | 125 Minutes

Directed by | Joe Wright | Cinematography by | Bruno Delbonnel | Editing by | Valerio Bonelli

Starring | Gary Oldman, Lily James, Kristin Scott Thomas

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

GoldenEye (1995)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 130 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Tomorrow Never Dies (1997)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 119 Minutes

Directed by | Roger Spottiswoode | Cinematography by | Robert Elswit | Editing by | Michel Arcand, Dominique Fortin

Starring | Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The World Is Not Enough (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 128 Minutes

Directed by | Michael Apted | Cinematography by | Adrian Biddle | Editing by | Jim Clark

Starring | Pierce Brosnan, Sophie Marceau, Robert Carlyle, Denise Richards

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Quantum of Solace (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

No Time to Die (2021)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 163 Minutes

Thor: Ragnarok (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron

Starring | Chris Hemsworth, Tom Hiddleston, Cate Blanchett

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Paddington 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson

Starring | Ben Whishaw, Hugh Grant, Hugh Bonneville

Cameras | ARRI ALEXA Series Cameras

Geostorm (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen

Starring | Gerard Butler, Jim Sturgess, Abbie Cornish

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Alien: Covenant (2017)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 122 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Katherine Waterston, Billy Crudup

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Roma (2018)

Motion Picture | 2D | 4K Project | Black & White | 2.20:1, 2.39:1 | 135 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Alfonso Cuarón | Editing by | Alfonso Cuarón, Adam Gough

Starring | Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Glass Onion (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 139 Minutes

Glass Onion | ShotOnWhat?

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Edward Norton, Kate Hudson

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Zeiss Supreme Prime Series Lenses

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