Double Negative | 39 Titles
Avengers: Endgame (2019)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera
Mission: Impossible – Rogue Nation (2015)
Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Sonic the Hedgehog 2 (2022)
Directed by | Jeff Fowler | Cinematography by | Brandon Trost | Editing by | Jim May
Cameras | ARRI ALEXA Mini LF Camera
Blade Runner 2049 (2017)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Shazam! (2019)
Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller
Lenses | Zeiss Master Prime Lenses
Fantastic Beasts and Where to Find Them (2016)
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Brothers Grimsby (2016)
Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas
Bridge of Spies (2015)
Batman v Superman: Dawn of Justice (2016)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera
Spectre (2015)
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Ex Machina (2014)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Avengers: Age of Ultron (2015)
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek
Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
The Danish Girl (2015)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | Red Epic Dragon Camera
Hercules (2014)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
The Hunger Games: Mockingjay – Part 2 (2015)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Exodus: Gods and Kings (2014)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich
Cameras | Red Epic Dragon Camera
Transcendence (2014)
Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Furious 6 (2013)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera
Thor: The Dark World (2013)
Directed by | Alan Taylor | Cinematography by | Kramer Morgenthau | Editing by | Dan Lebental, Wyatt Smith