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Double Negative | 66 Titles

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Thor: Ragnarok (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron

Starring | Chris Hemsworth, Tom Hiddleston, Cate Blanchett

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

The Meg (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto

Starring | Jason Statham, Bingbing Li, Rainn Wilson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Dune (2021)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 155 Minutes

Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker

Starring | Timothée Chalamet, Rebecca Ferguson, Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Wonder Woman (2017)

Motion Picture | 3D | 2K Project | Color | 2.20:1, 2.39:1 | 141 Minutes

Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh

Starring | Gal Gadot, Chris Pine, Robin Wright

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses

The Mummy (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein

Starring | Tom Cruise, Sofia Boutella, Annabelle Wallis

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Geostorm (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen

Starring | Gerard Butler, Jim Sturgess, Abbie Cornish

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Red Sparrow (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 140 Minutes

Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell

Starring | Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

Glass Onion (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 139 Minutes

Glass Onion | ShotOnWhat?

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Edward Norton, Kate Hudson

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Zeiss Supreme Prime Series Lenses

Nimona (2023)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Nick Bruno, Troy Quane | Editing by | Erin Crackel, Randy Trager

Starring | Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Sonic the Hedgehog 2 (2022)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Jeff Fowler | Cinematography by | Brandon Trost | Editing by | Jim May

Starring | James Marsden, Jim Carrey, Ben Schwartz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Panavision T Series Anamorphic Lenses

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Shazam! (2019)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller

Starring | Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Zeiss Master Prime Lenses

Fantastic Beasts and Where to Find Them (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day

Starring | Eddie Redmayne, Katherine Waterston, Alison Sudol, Dan Fogler

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Brothers Grimsby (2016)

Motion Picture | 2D | Color | 2.39:1 | 83 Minutes

Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Starring | Sacha Baron Cohen, Mark Strong, Rebel Wilson, Freddie Crowder

Cameras | ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ex Machina (2014)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 108 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day

Starring | Alicia Vikander, Domhnall Gleeson, Oscar Isaac, Sonoya Mizuno

Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Avengers: Age of Ultron (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 141 Minutes

Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

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