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2D | 5452 Titles

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Killer Twin (2018)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle

Starring | Lindsay Hartley, Jason Cermak, Candice Hunter

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses, Zeiss Zoom Lenses

Deadly Match (2019)

Television Movie | 2D | Color | 1.78:1 (16x9) | 83 Minutes

Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon

Starring | Alyssa Lynch, Mitch Ainley, Tatyana Ali

Cameras | Red Digital Cinema Cameras

Cheer Squad Secrets (2020)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Andy Hodgson | Editing by | Emerson Hill

Starring | Margaret Anne Florence, Anita Brown, Karis Cameron

Cameras | Red Epic Dragon Camera

Lenses | Sigma Lenses

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

Persona (1966)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 83 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Ulla Ryghe

Starring | Bibi Andersson, Liv Ullmann, Margaretha Krook

Cameras | Mitchell BNC Camera

Resident Evil: Welcome to Raccoon City (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 107 Minutes

Directed by | Johannes Roberts | Cinematography by | Maxime Alexandre | Editing by | Dev Singh

Starring | Kaya Scodelario, Robbie Amell, Hannah John-Kamen

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA SXT Series Cameras

Lenses | Hawk V-Lite Lenses

East of Hope Street (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 88 Minutes

Directed by | Nate Thomas | Cinematography by | Mark Woods | Editing by | Robert Davenport II

Starring | Judy Herrera, Tim Russ, Roxanne Coyne, Magda Rivera

Sound of Freedom (2023)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Alejandro Monteverde | Cinematography by | Gorka Gómez Andreu | Editing by | Brian Scofield

Starring | Jim Caviezel, Mira Sorvino, Bill Camp

Cameras | ARRI ALEXA Camera

'Dexter' Make Your Own Kind of Music (2013)

Television Episode | 2D | Color | 55 Minutes

"Dexter" Make Your Own Kind of Music | ShotOnWhat?

Directed by | John Dahl | Cinematography by | Jeffrey Jur | Editing by | Keith Henderson

Starring | Michael C. Hall, Jennifer Carpenter, Desmond Harrington

Rawhide (1959)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 50 Minutes

| Cinematography by | John M. Nickolaus Jr., Jack Swain, Howard Schwartz, Neal Beckner, Philip H. Lathrop, Brydon Baker, Gordon Avil | Editing by | George A. Gittens, James Baiotto, Roland Gross, Gene Fowler Jr., Paul Krasny, Leon Barsha, Everett Sutherland, George Watters, Jack Kampschroer, Robert Sparr, Frank Gross, Victor Lewis, Edward Curtiss, Russell F. Schoengarth, Paul Weatherwax, Jerome Thoms

Starring | Clint Eastwood, Paul Brinegar, Steve Raines

Cameras | Mitchell Cameras

Mission: Impossible (1996)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Paul Hirsch

Starring | Tom Cruise, Jon Voight, Emmanuelle Béart, Henry Czerny

Cameras | Panavision Panaflex Camera, Wescam Cameras

Mission: Impossible II (2000)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Mission: Impossible II | ShotOnWhat?

Directed by | John Woo | Cinematography by | Jeffrey L. Kimball | Editing by | Steven Kemper, Christian Wagner

Starring | Tom Cruise, Dougray Scott, Thandiwe Newton

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Dark City (1998)

Motion Picture | 2D | Film Project | Color | 100 Minutes

Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig

Starring | Rufus Sewell, Kiefer Sutherland, Jennifer Connelly, William Hurt

Cameras | Panavision Panaflex Gold II Camera

The Deleted (2016)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 14 Minutes

| Cinematography by | Steeven Petitteville, Michael Marius Pessah | Editing by | Joe Carugati, Nate Katz

Starring | Nash Grier, Madeline Brewer, Amanda Cerny

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Lenses

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Magnetic Beats (2021)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 98 Minutes

Directed by | Vincent Maël Cardona | Cinematography by | Brice Pancot | Editing by | Flora Volpelière

Starring | Thimotée Robart, Marie Colomb, Joseph Olivennes

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Technovision Zeiss Standard Speed Anamorphic 100mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 200mm T2.8 Lens, Technovision Zeiss Standard Speed Anamorphic 25mm T2.0 Lens, Technovision Zeiss Standard Speed Anamorphic 32mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 40mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 50mm T2.1 Lens, Technovision Zeiss Standard Speed Anamorphic 85mm T2.1 Lens

Sick of Myself (2022)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Kristoffer Borgli | Cinematography by | Benjamin Loeb | Editing by | Kristoffer Borgli

Starring | Kristine Kujath Thorp, Eirik Sæther, Fanny Vaager

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Cooke Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Mandy (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Panos Cosmatos | Cinematography by | Benjamin Loeb | Editing by | Brett W. Bachman, Paul Painter

Starring | Nicolas Cage, Andrea Riseborough, Linus Roache

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Angenieux HR Zoom Lenses, Panavision Primo Anamorphic Lenses

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