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2D | 5452 Titles

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Minding the Gap (2018)

Documentary | 2D | Color | 1.33:1 (4x3), 1.85:1 | 93 Minutes

Directed by | Bing Liu | Cinematography by | Bing Liu | Editing by | Joshua Altman, Bing Liu

Starring | Kent Abernathy, Mengyue Bolen, Nina Bowgren

Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Law & Order (1990)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris

Starring | Jerry Orbach, Jesse L. Martin, Dennis Farina

Cameras | ARRI ALEXA Camera, Panavision Cameras, Panavision Panaflex Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses

Mirai (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 98 Minutes

Directed by | Mamoru Hosoda | Editing by | Shigeru Nishiyama

Starring | Rebecca Hall, Daniel Dae Kim, John Cho

A Night at the Garden (2017)

Documentary, Short Film | 2D | Black & White | 7 Minutes

Directed by | Marshall Curry | Editing by | Marshall Curry

Starring | Fritz Kuhn

Under the Silver Lake (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 139 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio C. Perez IV

Starring | Andrew Garfield, Riley Keough, Topher Grace

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses

Madre (2017)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Rodrigo Sorogoyen | Cinematography by | Alejandro de Pablo | Editing by | Alberto del Campo

Starring | Marta Nieto, Blanca Apilánez, Álvaro Balas

2 Broke Girls (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Chris La Fountaine, Gary Baum, Joseph W. Calloway | Editing by | Darryl Bates, Ben Bosse, Chris Poulos, Stephen Prime, Peter Chakos, Paul Coneys

Starring | Kat Dennings, Beth Behrs, Garrett Morris

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

Of Fathers and Sons (2017)

Documentary | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Talal Derki | Cinematography by | Kahtan Hassoun | Editing by | Anne Fabini, Abd-Elhamed Emad Taha

Starring | Tia Alkerdi, Yara Ibrahim, Abu Osama

All I See Is You (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Hughes Winborne

Starring | Blake Lively, Jason Clarke, Ahna O'Reilly

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision G Series Anamorphic Lenses

Seeking Justice (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | Roger Donaldson | Cinematography by | David Tattersall | Editing by | Jay Cassidy

Starring | Nicolas Cage, January Jones, Guy Pearce

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

True Detective (2014)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 55 Minutes

A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Grey’s Anatomy (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 41 Minutes

| Cinematography by | Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons | Editing by | Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto

Starring | Chandra Wilson, James Pickens Jr., Ellen Pompeo

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses

Bombshell (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Jay Roach | Cinematography by | Barry Ackroyd | Editing by | Jon Poll

Starring | Charlize Theron, Nicole Kidman, Margot Robbie

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Booksmart (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Olivia Wilde | Cinematography by | Jason McCormick | Editing by | Jamie Gross, Brent White

Starring | Kaitlyn Dever, Beanie Feldstein, Jessica Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision T Series Anamorphic Lenses

“Grey’s Anatomy” The Distance (2015)

Television Episode | 2D | Color | 43 Minutes

Directed by | Eric Laneuville | Cinematography by | Herbert Davis | Editing by | Justin Chinn

Starring | Ellen Pompeo, Justin Chambers, Chandra Wilson

Cameras | ARRI ALEXA Camera

Leap: Rise of the Beast (2011)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 75 Minutes

Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel

Starring | Benjamin Baker, Alexander J. Bonds, Matt Clark

Cameras | Canon EOS Rebel T2i Camera

Lenses | Canon EF-S 18-55mm f4 Lens

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

Die Geschichte vom weinenden Kamel (2003)

Documentary | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Byambasuren Davaa, Luigi Falorni | Cinematography by | Luigi Falorni | Editing by | Anja Pohl

Starring | Janchiv Ayurzana, Chimed Ohin, Amgaabazar Gonson

Cameras | ARRIFLEX Camera

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