2D | 5452 Titles
Mighty Times: The Children’s March (2004)
Directed by | Robert Houston | Cinematography by | Geoffrey George | Editing by | Mark Brewer, Sean P. Keenan
One True Thing (1998)
Directed by | Carl Franklin | Cinematography by | Declan Quinn | Editing by | Carole Kravetz Aykanian
Cameras | Moviecam Compact Camera, Panavision Cameras
Lenses | Panavision Lenses
My Best Friend’s Wedding (1997)
Directed by | P.J. Hogan | Cinematography by | László Kovács | Editing by | Garth Craven, Lisa Fruchtman
Cameras | Panavision Panaflex Camera
A Very Long Engagement (2004)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens
Before Sunset (2004)
Directed by | Richard Linklater | Cinematography by | Lee Daniel | Editing by | Sandra Adair
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Oscar and Lucinda (1997)
Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman
Cameras | Panavision Panaflex Gold II Camera
What Dreams May Come (1998)
Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy
Barely Legal (2011)
Directed by | Jose Montesinos | Cinematography by | Ben Demaree | Editing by | Rob Pallatina
Cameras | Red One MX Camera
Flipped (2010)
Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton
Cameras | Panavision Panaflex Millennium Camera
Platoon (1986) 
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Claire Simpson
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | JDC (Joe Dunton Camera) Lenses
Christopher Roth (2010)
Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Mad Love (1995)
Directed by | Antonia Bird | Cinematography by | Fred Tammes | Editing by | Jeff Freeman
Cameras | Panavision Cameras
Never Look Away (2018)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | Caleb Deschanel | Editing by | Patricia Rommel, Patrick Sanchez Smith
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
Lay the Favorite (2012)
Directed by | Stephen Frears | Cinematography by | Michael McDonough | Editing by | Mick Audsley
Cameras | Sony CineAlta F35 Camera
As Good as It Gets (1997)
Directed by | James L. Brooks | Cinematography by | John Bailey | Editing by | Richard Marks
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Raising Hope (2010)
| Cinematography by | Walt Fraser, Sharone Meir | Editing by | Lawrence A. Maddox, William Marrinson, Dan Riddle, Tim Boettcher, Lance Luckey, Kathy Messer
Cameras | Sony CineAlta F35 Camera
The Kid with a Bike (2011)
Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo
Cameras | ARRICAM Lite (LT) Camera
Big Miracle (2012)
Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Beautiful Creatures (2013)
Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Miracles from Heaven (2016)
Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Emma E. Hickox
Cameras | ARRI Cameras
Lenses | ARRI Lenses
