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2D | 5452 Titles

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American Son (2008)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer

Starring | Nick Cannon, Matt Sigloch, Dotan Baer, Justin Diedolf

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Crank: High Voltage (2009)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena

Starring | Jason Statham, Amy Smart, Clifton Collins Jr., Dwight Yoakam

Cameras | Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

A Night in the Life of Jimmy Reardon (1988)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | William Richert | Cinematography by | John J. Connor | Editing by | Suzanne Fenn

Starring | River Phoenix, Ann Magnuson, Meredith Salenger, Ione Skye

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

The Hangover (2009)

Motion Picture | 2D | Color | 2.35:1 | 100 Minutes

The Hangover | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher

Starring | Zach Galifianakis, Bradley Cooper, Justin Bartha, Ed Helms

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Monster’s Ball (2001)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Billy Bob Thornton, Halle Berry, Taylor Simpson, Gabrielle Witcher

Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Beneath Hill 60 (2010)

Motion Picture | 2D | 2K Project | Color | 122 Minutes

Directed by | Jeremy Sims | Cinematography by | Toby Oliver | Editing by | Dany Cooper

Starring | Brendan Cowell, Harrison Gilbertson, Steve Le Marquand, Gyton Grantley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Charlie and the Chocolate Factory (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 115 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Johnny Depp, Freddie Highmore, David Kelly, Helena Bonham Carter

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Painted Veil (2006)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | John Curran | Cinematography by | Stuart Dryburgh | Editing by | Alexandre de Franceschi

Starring | Naomi Watts, Edward Norton, Liev Schreiber, Catherine An

Cameras | Panavision Cameras

Lenses | Panavision Lenses

La délicatesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant

Starring | Audrey Tautou, François Damiens, Bruno Todeschini, Mélanie Bernier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Gandu (2010)

Motion Picture | 2D | Black & White, Color | 85 Minutes

Directed by | Qaushiq Mukherjee | Cinematography by | Qaushiq Mukherjee | Editing by | Manas Mittal, Qaushiq Mukherjee, Surojit Sen

Starring | Anubrata Basu, Joyraj Bhattacharya, Rii Sen, Kamalika Banerjee

Cameras | Canon EOS-7D Camera

A Few Best Men (2011)

Motion Picture | 2D | Color | 97 Minutes

A Few Best Men | ShotOnWhat?

Directed by | Stephan Elliott | Cinematography by | Stephen F. Windon | Editing by | Sue Blainey

Starring | Laura Brent, Xavier Samuel, Kris Marshall, Kevin Bishop

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Melancholia (2011)

Motion Picture | 2D | Color | 2.39:1 | 135 Minutes

Melancholia | ShotOnWhat?

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Molly Malene Stensgaard

Starring | Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård

Cameras | ARRI ALEXA Camera, Phantom HD Gold Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Hei mao zhi ci sha Ye Li Qin (1992)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong

Starring | Jade Leung, Robin Shou, Zoltan Buday, Craig Bruhnanski

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

3:10 to Yuma (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Russell Crowe, Christian Bale, Ben Foster, Logan Lerman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Drag Me to Hell (2009)

Motion Picture | 2D | Color | 2.35:1 | 99 Minutes

Drag Me to Hell | ShotOnWhat?

Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski

Starring | Alison Lohman, Justin Long, Ruth Livier, Lorna Raver

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

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