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North America | 1782 Titles

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CSI: Miami (2002)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 43 Minutes

Lost Girl (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | David Greene, Craig Wright, Joachim Martin, Anton Van Rooyen | Editing by | Paul G. Day, Ben Wilkinson, Teresa Hannigan, Mike Lee, Dale Gagne, Brett Sullivan, Wendy Hallam Martin

Starring | Anna Silk, Kris Holden-Ried, Zoie Palmer, Rick Howland

Cameras | Panavision Genesis Camera

Lenses | Panavision Lenses

Royal Pains (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary | Editing by | Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau

Starring | Mark Feuerstein, Paulo Costanzo, Reshma Shetty, Brooke D'Orsay

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Lenses

Super Power Beat Down (2012)

Television Series, Web Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy

Starring | Marisha Ray, Damian Beurer, Aaron Schoenke, Jennifer Wenger

Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses, Panasonic Lenses, Sigma 18-35mm f1.8 DC HSM Lens, Sigma Lenses

Altered Carbon (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Starring | Chris Conner, Renée Elise Goldsberry, Joel Kinnaman, James Purefoy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

Ice (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

The Goldbergs (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Jason Blount, Joseph E. Gallagher, Scott Browner, David Hennings | Editing by | Kevin Leffler, Ruthie Aslan, Peter B. Ellis, Jon Corn, Ivan Victor, Jeremy Reuben, Brian Barr, Sam Seig, Dave Canseco, Nick Mougis, Richard Candib, Scott Pellet, Robert Lanford, Jeremy Diller

Starring | Wendi McLendon-Covey, Sean Giambrone, Troy Gentile, Hayley Orrantia

R.L. Stine’s The Haunting Hour (2010)

Television Series | 2D | Color | 23 Minutes

| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch

Starring | Jeny Cassady, Dan Payne, Emma Grabinsky, Bailee Madison

Cameras | Red Epic Camera

Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens

Sad Hill Unearthed (2017)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 86 Minutes

Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch

Starring | Ennio Morricone, James Hetfield, Joe Dante, Clint Eastwood

Cameras | Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Symphony in Blue (2017)

Motion Picture | 2D | Color | 70 Minutes

Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko

Starring | Samuel Marko, Hilarie Grace, Jack Shefrin, Pete Dickey

Cameras | Panasonic AG-HVX200 Camera

Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

Homecoming (2009)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Morgan J. Freeman | Cinematography by | John Burdick, Stephen Kazmierski | Editing by | Keith Reamer

Starring | Mischa Barton, Matt Long, Jessica Stroup, Michael Landes

Good Time (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie

Starring | Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Three Night Stand (2013)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis

Starring | Sam Huntington, Meaghan Rath, Darren Curtis, Robb Jamieson

Cameras | ARRI ALEXA FR Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Too Late Blues (1961)

Motion Picture | Film Project | Black & White | 103 Minutes

Directed by | John Cassavetes | Cinematography by | Lionel Lindon | Editing by | Frank Bracht

Starring | Bobby Darin, Stella Stevens, Everett Chambers, Nick Dennis

Twixt (2011)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Kevin Bailey, Glen Scantlebury, Robert Schafer

Starring | Val Kilmer, Bruce Dern, Elle Fanning, Ben Chaplin

Cameras | Sony HDW-F900 Camera

Focus (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac

Starring | Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Manchester by the Sea (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 137 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame

Starring | Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Lenses, Canon K35 Prime Lenses

The Institute (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | James Franco, Pamela Romanowsky | Cinematography by | Pedro Gómez Millán | Editing by | Evan Ahlgren, Aaron I. Butler

Starring | Allie Gallerani, James Franco, Joe Pease, Scott Haze

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses

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