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North America | 1782 Titles

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Follow (2015)

Motion Picture | 2D | Color | 74 Minutes

Directed by | Owen Egerton | Cinematography by | Ellie Ann Fenton | Editing by | Sean McQueeney

Starring | Haley Lu Richardson, Don Most, Olivia Grace Applegate, Noah Segan

Cameras | Sony PMW-F55 Camera

Somewhere in the Middle (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 90 Minutes

Directed by | Lanre Olabisi | Cinematography by | Piero Basso | Editing by | Alex Kopit

Starring | Cassandra Freeman, Charles Miller, Marisol Miranda, Dennis Rubin Green

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Roshtalivik (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 72 Minutes

Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore

Starring | Hauke Bahr, David Charles, Lee McCarty, Jake Douglas Smith

Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

Flock of Four (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 80 Minutes

Directed by | Gregory Caruso | Cinematography by | Gus Bendinelli | Editing by | Vic Brown

Starring | Braeden Lemasters, Uriah Shelton, Isaac Jay, Dylan Riley Snyder

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses

Status Update (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla

Starring | Ross Lynch, Olivia Holt, Harvey Guillén, Courtney Eaton

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses

The Man in the High Castle (2015)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Gonzalo Amat, James Hawkinson | Editing by | Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley

Starring | Alexa Davalos, Luke Kleintank, Rufus Sewell, Rupert Evans

Cameras | Red Epic Dragon Camera

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Blood Father (2016)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Steven Rosenblum

Starring | Mel Gibson, Erin Moriarty, Diego Luna, Michael Parks

Hands of Stone (2016)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Jonathan Jakubowicz | Cinematography by | M.I. Littin-Menz | Editing by | Ethan Maniquis

Starring | Edgar Ramírez, Usher, Robert De Niro, Rubén Blades

Cameras | ARRI ALEXA Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Southside with You (2016)

Motion Picture | 2D | Color | 2.39:1 | 84 Minutes

Directed by | Richard Tanne | Cinematography by | Patrick Scola | Editing by | Evan Schiff

Starring | Tika Sumpter, Parker Sawyers, Vanessa Bell Calloway, Phillip Edward Van Lear

Don’t Breathe (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 88 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould

Starring | Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto

Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Lo and Behold, Reveries of the Connected World (2016)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Marco Capalbo

Starring | Elon Musk, Lawrence Krauss, Lucianne Walkowicz, Kevin Mitnick

War Dogs (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Jonah Hill, Miles Teller, Steve Lantz, Gregg Weiner

Cameras | ARRI ALEXA XT Camera

Ghost Team (2016)

Motion Picture | 2D | Color | 83 Minutes

Directed by | Oliver Irving | Cinematography by | Timothy Naylor | Editing by | Oliver Irving

Starring | Jon Heder, David Krumholtz, Justin Long, Melonie Diaz

Ice Station Zebra (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 148 Minutes

Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster

Starring | Rock Hudson, Ernest Borgnine, Patrick McGoohan, Jim Brown

Cameras | Super Panavision-70 Camera

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Finding Dory (2016)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 97 Minutes

Directed by | Andrew Stanton, Angus MacLane | Cinematography by | Jeremy Lasky | Editing by | Axel Geddes

Starring | Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson

Nerve (2016)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Henry Joost, Ariel Schulman | Cinematography by | Michael Simmonds | Editing by | Madeleine Gavin, Jeff McEvoy

Starring | Emma Roberts, Dave Franco, Emily Meade, Miles Heizer

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

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