Nevada | 51 Titles
Creed (2015)
Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver
Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera
The Big Short (2015)
Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Southpaw (2015)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Gambler (2014)
Directed by | Rupert Wyatt | Cinematography by | Greig Fraser | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA XT Camera
Inherent Vice (2014)
Last Vegas (2013)
Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie
Cameras | ARRI ALEXA Camera
The Bling Ring (2013)
Directed by | Sofia Coppola | Cinematography by | Christopher Blauvelt, Harris Savides | Editing by | Sarah Flack
Cameras | Red Epic Camera
On the Ropes (1999)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | Brett Morgen | Editing by | Nancy Baker, Nanette Burstein
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
The Hangover Part III (2013)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Mojave Phone Booth (2006)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Sony HVR-Z1U Camera
Blood River (2009)
Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason
Cameras | Sony HDW-F900 Camera
Snowboard Academy (1996)
Directed by | John Shepphird | Cinematography by | Bruno Philip | Editing by | Richard Comeau
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Up in the Air (2009)
Total Recall (1990)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Carlos Puente, Frank J. Urioste
Cameras | ARRIFLEX Camera
Lenses | Zeiss Lenses
Fright Night (2011)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | Red One MX Camera
Lenses | Zeiss Master Prime Lenses