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England | 362 Titles

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The After (2023)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Misan Harriman | Cinematography by | Si Bell | Editing by | Aggela Despotidou

Starring | David Oyelowo, Jessica Plummer, Amelie Dokubo

Pavilion (2022)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Eveshka Ghost

Starring | Tim van den Berg, Pip Rose, James McClusky

Cameras | Sony HXR-MC2500 Camera

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

Northern Lights (2016)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 54 Minutes

Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil

Starring | Gemma Paige North, Rhys Cadman, Katherine Quinn

Cameras | Blackmagic Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses, Rokinon Lenses, Samyang Lenses

Episodes (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Rob Kitzmann | Editing by | Nigel Williams, Gary Evans

Starring | Matt LeBlanc, Stephen Mangan, Tamsin Greig

Cameras | ARRI ALEXA Camera

Guardians of the Galaxy (2014)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 121 Minutes

Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood

Starring | Chris Pratt, Vin Diesel, Bradley Cooper, Zoe Saldaña

Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Magical Mystery Tour (1967)

Television Movie | 2D | Film Project | Color | 1.33:1 (4x3) | 55 Minutes

Directed by | George Harrison, John Lennon, Paul McCartney, Ringo Starr, Bernard Knowles | Cinematography by | Ringo Starr | Editing by | Roy Benson

Starring | John Lennon, Paul McCartney, George Harrison

Cameras | ARRIFLEX 16S Camera, Éclair NPR Camera

Lenses | Angenieux Lenses, Schneider Lenses

Pokémon Detective Pikachu (2019)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Rob Letterman | Cinematography by | John Mathieson | Editing by | Mark Sanger, James Thomas

Starring | Ryan Reynolds, Justice Smith, Kathryn Newton

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

Oscar and Lucinda (1997)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman

Starring | Ralph Fiennes, Cate Blanchett, Ciarán Hinds

Cameras | Panavision Panaflex Gold II Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Emma (1996)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Douglas McGrath | Cinematography by | Ian Wilson | Editing by | Lesley Walker

Starring | Gwyneth Paltrow, James Cosmo, Greta Scacchi, Alan Cumming

Cameras | Moviecam Compact Camera

St. Trinian’s (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Oliver Parker, Barnaby Thompson | Cinematography by | Gavin Finney | Editing by | Alex Mackie

Starring | Talulah Riley, Rupert Everett, Gemma Arterton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Mandy (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Panos Cosmatos | Cinematography by | Benjamin Loeb | Editing by | Brett W. Bachman, Paul Painter

Starring | Nicolas Cage, Andrea Riseborough, Linus Roache

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Angenieux HR Zoom Lenses, Panavision Primo Anamorphic Lenses

Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Avengers: Infinity War (2018)

Motion Picture | 3D | 2K Project | Color | 1.90:1, 2.39:1 | 149 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans

Cameras | ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Phantom Thread (2017)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor

Starring | Vicky Krieps, Daniel Day-Lewis, Lesley Manville

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Detainment (2018)

Short Film | 2D | Color | 2.39:1 | 30 Minutes

Directed by | Vincent Lambe | Cinematography by | Patrick Jordan | Editing by | Vincent Lambe

Starring | Ely Solan, Leon Hughes, Will O'Connell, David Ryan

Ready Player One (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe

Cameras | ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Small City (2021)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 74 Minutes

Directed by | Georgie Curran, Adriano Vilanova | Cinematography by | Mike Simpson

Starring | Eddie Thompson, Isabella Nefar, Yasen Zates Atour

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Cotton Wool (2017)

Short Film | 2D | 4K Project | Color | 2.39:1 | 38 Minutes

Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil

Starring | Leanne Best, Crissy Rock, Kate Rutter

Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera

Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens

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