England | 313 Titles
The Big Short (2015)
Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin
Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
The Forest (2016)
Directed by | Jason Zada | Cinematography by | Mattias Troelstrup | Editing by | Jim Flynn
Cameras | ARRI ALEXA XT Plus Camera
Pan (2015)
Directed by | Joe Wright | Cinematography by | John Mathieson, Seamus McGarvey | Editing by | William Hoy, Paul Tothill
Cameras | ARRI ALEXA XT Camera, Phantom Flex Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses
Testament of Youth (2014)
Directed by | James Kent | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti
Cameras | Sony CineAlta F65 Camera
Dirty Pretty Things (2002)
Directed by | Stephen Frears | Cinematography by | Chris Menges | Editing by | Mick Audsley
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Oranges and Sunshine (2010)
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRICAM Lite (LT) Camera
Spectre (2015)
Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Ex Machina (2014)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Iris (2001)
Avengers: Age of Ultron (2015)
Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek
Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
The Danish Girl (2015)
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | Red Epic Dragon Camera
Cocktail (2012)
Rubinrot (2013)
Directed by | Felix Fuchssteiner | Cinematography by | Sonja Rom | Editing by | Wolfgang Weigl
Cameras | Red Epic Camera, Red One MX Camera
The Invisible Woman (2013)
Kingsman: The Secret Service (2014)
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris
Paddington (2014)
Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson
Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses
The Theory of Everything (2014)
Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera
The Imitation Game (2014)
Directed by | Morten Tyldum | Cinematography by | Oscar Faura | Editing by | William Goldenberg
Lenses | Zeiss Master Prime Lenses
The Hobbit: The Battle of the Five Armies (2014)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Pride (2014)
