Project Resolution » 2K Project

2K Project | 552 Titles

2K Project 3.00/5 3 Votes

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Wanted (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Timur Bekmambetov | Cinematography by | Mitchell Amundsen | Editing by | David Brenner

Starring | Angelina Jolie, James McAvoy, Morgan Freeman, Terence Stamp

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

Australia (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 165 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Dody Dorn, Michael McCusker

Starring | Nicole Kidman, Hugh Jackman, Shea Adams, Eddie Baroo

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Memoirs of a Geisha (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 145 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia

Starring | Ziyi Zhang, Ken Watanabe, Michelle Yeoh, Suzuka Ohgo

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Black Swan (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 108 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder

Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Zeiss Ultra 16 Lenses

Walk the Line (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker

Starring | Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

Cinderella Man (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Renée Zellweger, Craig Bierko, Paul Giamatti

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Spectrauma (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 91 Minutes

Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter

Starring | Trevor Nelson, Migina Tsai, Jessica Boone, Chandan Prithiani

Cameras | Red One MX Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Rabbit Hole (2010)

Motion Picture | 2D | 2K Project | Color | 91 Minutes

Directed by | John Cameron Mitchell | Cinematography by | Frank G. DeMarco | Editing by | Joe Klotz

Starring | Nicole Kidman, Aaron Eckhart, Dianne Wiest, Miles Teller

Cameras | Red One Camera

Lenses | Zeiss Standard Speed Prime Lenses

Good Night, and Good Luck. (2005)

Motion Picture | 2D | 2K Project | Black & White | 1.85:1 | 93 Minutes

Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione

Starring | David Strathairn, George Clooney, Patricia Clarkson, Jeff Daniels

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Blind Side (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi

Starring | Quinton Aaron, Sandra Bullock, Tim McGraw, Jae Head

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

3 Backyards (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Eric Mendelsohn | Cinematography by | Kasper Tuxen | Editing by | Morgan Faust, Eric Mendelsohn, Jeffrey K. Miller

Starring | Elias Koteas, Kathryn Erbe, Edie Falco, Rachel Resheff

Cameras | Red One Camera

Lenses | Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses

Frost/Nixon (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu

Starring | Frank Langella, Michael Sheen, Kevin Bacon, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses, Cooke Varotal Lenses

The Town (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 125 Minutes

Directed by | Ben Affleck | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Charlie Wilson’s War (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Tom Hanks, Julia Roberts, Philip Seymour Hoffman, Amy Adams

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Savages (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 113 Minutes

Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates

Starring | Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

We Own the Night (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 117 Minutes

Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad

Starring | Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Danny Hoch

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Alice in Wonderland (2010)

Motion Picture | 3D | 2K Project | Color | 1.44:1, 1.78:1 (16x9), 1.85:1 | 108 Minutes

Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Mia Wasikowska, Johnny Depp, Helena Bonham Carter, Anne Hathaway

Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Panavision Primo Anamorphic Lenses

Red Dog (2011)

Motion Picture | 2D | 2K Project | Color | 92 Minutes

Directed by | Kriv Stenders | Cinematography by | Geoffrey Hall | Editing by | Jill Bilcock

Starring | Josh Lucas, Rachael Taylor, Rohan Nichol, Luke Ford

Cameras | Red One Camera

The Hurt Locker (2008)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 1.85:1 | 131 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski

Starring | Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

The Wrestler (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum

Starring | Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Mark Margolis

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra 16 Lenses

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