2K Project | 552 Titles
[Rec] 2 (2009)
Directed by | Jaume Balagueró, Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart
Cameras | Panasonic Cameras, Sony HDW-750 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
The Baader Meinhof Complex (2008)
A Prophet (2009)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera
Into the Wild (2007)
Directed by | Sean Penn | Cinematography by | Eric Gautier | Editing by | Jay Cassidy
Lenses | Canon Lenses, Zeiss Ultra Prime Lenses
Alvin and the Chipmunks: Chipwrecked (2011)
Joyeux Noel (2005)
Directed by | Christian Carion | Cinematography by | Walther van den Ende | Editing by | Judith Rivière Kawa, Andrea Sedlácková
Lenses | Panavision Lenses
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
Red State (2011)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith
Cameras | Canon EOS-7D Camera, Red One MX Camera
The Last King of Scotland (2006)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Panavision Lenses
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Super (2010)
Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman
Cameras | Red One Camera
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
Inglourious Basterds (2009)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke
Lenses | Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Tropic Thunder (2008)
Directed by | Ben Stiller | Cinematography by | John Toll | Editing by | Greg Hayden
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Man cheng jin dai huang jin jia (2006)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses, Zeiss ARRI Macro Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses
In a Better World (2010)
Directed by | Susanne Bier | Cinematography by | Morten Søborg | Editing by | Pernille Bech Christensen, Morten Egholm
Cameras | Red One Camera
Lenses | Angenieux Lenses
Johnny English Reborn (2011)
Directed by | Oliver Parker | Cinematography by | Danny Cohen | Editing by | Guy Bensley
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses | Zeiss Master Prime Lenses
Lord of the Dance in 3D (2011)
Directed by | Marcus Viner | Cinematography by | Nick Wheeler | Editing by | Tom Palliser
Lenses | Cooke Lenses
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