Previs Supervisor: Proof, Inc.
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Previs Supervisor: Proof, Inc.
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Previs Supervisor: Proof, Inc.
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Previs Supervisor: Proof
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Previs Supervisor: Proof, Inc.
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Previs Supervisor: Proof, Inc.
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Previsualization Supervisor: Proof
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Previs Supervisor: Proof, Inc.
Charlotte's Web (2006)
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Previs Supervisor: Proof
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Previs Supervisor: Proof, Inc.
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Lead Previs Artist: Proof, UK
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Previsualization Supervisor: Proof Inc.
Alexander (2004)
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Pre-visualization
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Pre-visualization Supervisor: Proof Inc.
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Pre-visualization Supervisor: PLF
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Pre-visualization Supervisor
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Pre-visualization Supervisor: Pixel Liberation Front
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Pre-visualization Animator
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Previsualization Animator
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Pre-visualization Animator
The Story of Us (1999)
Directed by: Rob Reiner
Cinematography by: Michael Chapman
Pre-visualization Supervisor: Pixel Liberation Front
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Digital Artist: Pixel Liberation Front
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
