Re-recording Mixer
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Supervising Sound Mixer
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Re-recording Mixer
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Re-recording Mixer
Iron Jawed Angels (2004)
Directed by: Katja von Garnier
Cinematography by: Robbie Greenberg
Edited by: Hans Funck
Re-recording Mixer
Cradle 2 the Grave (2003)
Directed by: Andrzej Bartkowiak
Cinematography by: Daryn Okada
Edited by: Derek Brechin
Cameras: Panavision Cameras
Re-recording Mixer
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Re-recording Mixer
Gothika (2003)
Directed by: Mathieu Kassovitz
Cinematography by: Matthew Libatique
Edited by: Yannick Kergoat
Re-recording Mixer
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Re-recording Mixer
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Additional Sound Re-recording Mixer
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Re-recording Mixer
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Re-recording Mixer
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Re-recording Mixer
Random Hearts (1999)
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Re-recording Mixer
Flawless (1999)
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Re-recording Mixer
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Re-recording Mixer
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
'Buffy the Vampire Slayer' I Only Have Eyes for You (1998)
Directed by: James Whitmore Jr.
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Re-recording Mixer
'Buffy the Vampire Slayer' Bad Eggs (1998)
Directed by: David Greenwalt
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Re-recording Mixer
Meet Joe Black (1998)
Directed by: Martin Brest
Cinematography by: Emmanuel Lubezki
Re-recording Mixer
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Re-recording Mixer - 2 Episodes, 1998
Buffy the Vampire Slayer (1997)
Directed by: Joss Whedon, James A. Contner, David Solomon, David Grossman, Michael Gershman, Bruce Seth Green, Nick Marck, James Whitmore Jr., David Greenwalt, David Semel, Michael Lange, Douglas Petrie, John T. Kretchmer, Ellen S. Pressman, Daniel Attias, Marti Noxon, David Fury, Rick Rosenthal, Marita Grabiak, Reza Badiyi, Scott Brazil, Stephen Cragg, Stephen L. Posey, Charles Martin Smith, Deran Sarafian, Tucker Gates, Regis Kimble, Christopher Hibler, Turi Meyer, Alan J. Levi, Bill Norton, Michael Grossman
Cinematography by: Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan
Edited by: Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses: Panavision Lenses
Re-recording Mixer
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Re-recording Mixer
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Re-recording Mixer
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Re-recording Mixer
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Re-recording Mixer
Fear (1996)
Directed by: James Foley
Cinematography by: Thomas Kloss
Edited by: David Brenner
Re-recording Mixer
The Evening Star (1996)
Directed by: Robert Harling
Cinematography by: Don Burgess
Re-recording Mixer
A Time to Kill (1996)
Directed by: Joel Schumacher
Cinematography by: Peter Menzies Jr.
Edited by: William Steinkamp
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Additional Sound Re-recording Mixer
Larger Than Life (1996)
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Re-recording Mixer
'Children of the Dust' Episode #1.1 (1995)
Directed by: David Greene
Cinematography by: Ron Orieux
Edited by: Tod Feuerman
Re-recording Mixer - 2 Episodes, 1995
Children of the Dust (1995)
Directed by: David Greene
Cinematography by: Ron Orieux
Edited by: Tod Feuerman
Re-recording Mixer
How to Make an American Quilt (1995)
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
Re-recording Mixer
Moonlight and Valentino (1995)
Directed by: David Anspaugh
Cinematography by: Julio Macat
Edited by: David Rosenbloom
Re-recording Mixer
'Children of the Dust' Episode #1.2 (1995)
Directed by: David Greene
Cinematography by: Ron Orieux
Edited by: Tod Feuerman
Re-recording Mixer
Rob Roy (1995)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Re-recording Mixer
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Re-recording Mixer
The Air Up There (1994)
Directed by: Paul Michael Glaser
Cinematography by: Dick Pope
Cameras: Panavision Cameras
Sound Re-recordist
Renaissance Man (1994)
Directed by: Penny Marshall
Cinematography by: Adam Greenberg
Re-recording Mixer
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Re-recording Mixer
Blue Chips (1994)
Directed by: William Friedkin
Cinematography by: Tom Priestley Jr.
Re-recording Mixer
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Re-recording Mixer
And the Band Played On (1993)
Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox
Re-recording Mixer
Loaded Weapon 1 (1993)
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Re-recording Mixer
The Real McCoy (1993)
Directed by: Russell Mulcahy
Cinematography by: Denis Crossan
Edited by: Peter Honess
Re-recording Mixer
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Re-recording Mixer
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Re-recording Mixer
Man Trouble (1992)
Directed by: Bob Rafelson
Cinematography by: Stephen H. Burum
Edited by: William Steinkamp
Re-recording Mixer
Scent of a Woman (1992)
Directed by: Martin Brest
Cinematography by: Donald E. Thorin
Re-recording Mixer, Scoring Mixer
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Re-recording Mixer
Kuffs (1992)
Directed by: Bruce A. Evans
Cinematography by: Thomas Del Ruth
Edited by: Stephen Semel
Re-Recording Mixer
Robin Hood: Prince of Thieves (1991)
Directed by: Kevin Reynolds
Cinematography by: Douglas Milsome
Edited by: Peter Boyle
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Re-recording Mixer
Married to It (1991)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Re-recording Mixer
Oscar (1991)
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Re-recording Mixer
King Ralph (1991)
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Re-recording Mixer
Flashback (1990)
Directed by: Franco Amurri
Cinematography by: Stefan Czapsky
Edited by: Carroll Timothy O'Meara
Re-recording Mixer: Todd-AO/Glen Glenn Studios , Sound Re-recordist: Todd-AO/Glen Glenn Studios
RoboCop 2 (1990)
Directed by: Irvin Kershner
Cinematography by: Mark Irwin
Re-recording Mixer
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Re-recording Mixer
See No Evil, Hear No Evil (1989)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
