Texture Artist: One Of Us
Under the Skin (2013)
Directed by: Jonathan Glazer
Cinematography by: Daniel Landin
Edited by: Paul Watts
Cameras: ARRI ALEXA Plus Camera, one-cam Camera
Texture Artist
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Texture Artist: One Of Us
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Texture Artist: One Of Us
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Texture Artist: Weta Digital
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Texture Artist
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Texture Artist
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Camera Effects Artist: Weta Digital
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Senior Camera Technical Director: Weta Digital
The Water Horse (2007)
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Matchmover
30 Days of Night (2007)
Directed by: David Slade
Cinematography by: Jo Willems
Edited by: Art Jones
Visual Effects Artist: Camera And Layout, Weta Digital
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Matchmover: Weta Digital
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Match Mover / Senior Camera Technical Director, Soldier In Truck
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Camera Technical Director: Weta Digital
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
On-set Technician: Weta Digital
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Camera Technical Director: Weta Digital / On-set Technician: Weta Digital
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
3D Pre-visualization Artist: Weta Workshop
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
