Mark Justison

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X-Men: Apocalypse | ShotOnWhat?

Compositor

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Compositor, Compositor: Double Negative

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

G.I. Joe: Retaliation | ShotOnWhat?

Compositor: Digital Domain

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

21 & Over | ShotOnWhat?

Compositor: Comen VFX

21 & Over (2013)

Directed by: Jon Lucas, Scott Moore

Cinematography by: Terry Stacey

Edited by: John Refoua

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Jack the Giant Slayer | ShotOnWhat?

Compositor: Digital Domain / Paint/roto Artist: Digital Domain

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Ender's Game | ShotOnWhat?

Compositor: Digital Domain

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Her | ShotOnWhat?

Compositor: Digital Domain

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Mirror Mirror | ShotOnWhat?

Compositor: Comen VFX

Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Twilight Saga: Breaking Dawn - Part 1 | ShotOnWhat?

Compositor: Comen VFX

The Twilight Saga: Breaking Dawn - Part 1 (2011)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Real Steel | ShotOnWhat?

Paint/roto Artist: Digital Domain

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Girl with the Dragon Tattoo | ShotOnWhat?

Roto/paint Artist: Digital Domain

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

X: First Class | ShotOnWhat?

Paint/roto Artist: Digital Domain

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Killer Elite | ShotOnWhat?

Roto/paint Artist: Comen VFX

Killer Elite (2011)

Directed by: Gary McKendry

Cinematography by: Simon Duggan

Edited by: John Gilbert

The A-Team | ShotOnWhat?

Digital Artist: Digital Domain

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

TRON | ShotOnWhat?

Paint/roto Artist: Digital Domain

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Junior Compositor: CIS Hollywood

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Invictus | ShotOnWhat?

Visual Effects Group: CIS Hollywood

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Watchmen | ShotOnWhat?

Compositor: CIS Hollywood / Roto/paint Artist: CIS Hollywood

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Men Who Stare at Goats | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Ghosts of Girlfriends Past | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Ghosts of Girlfriends Past (2009)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Leatherheads | ShotOnWhat?

Rotoscope/paint Artist: CIS Hollywood

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Speed Racer | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Meet Dave | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

The Express | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

Evan Almighty | ShotOnWhat?

Paint Artist: CIS Hollywood

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Rush Hour 3 | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Enchanted | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

I Am Legend | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

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