Visual Effects Artist
'Law & Order: Special Victims Unit' King of the Moon (2023)
Directed by: Mariska Hargitay
Visual Effects Artist
'Law & Order: Special Victims Unit' Soldier Up (2023)
Directed by: Jonathan Herron
Edited by: Karen I. Stern
Visual Effects Artist
'Law & Order: Special Victims Unit' Blood Out (2023)
Directed by: Patricia Riggen
Visual Effects Artist
'Law & Order: Special Victims Unit' Intersection (2023)
Visual Effects Artist
'Law & Order: Special Victims Unit' Jumped In (2023)
Directed by: Martha Mitchell
Visual Effects Artist
'Law & Order: Special Victims Unit' Did You Believe in Miracles? (2022)
Directed by: Pratibha Parmar
Cinematography by: Feliks Parnell
Edited by: Karen I. Stern
Visual Effects Artist
'Law & Order: Special Victims Unit' A Better Person (2022)
Directed by: Michael Pressman
Edited by: Karen I. Stern
Visual Effects Artist
'Law & Order: Special Victims Unit' Controlled Burn (2022)
Directed by: Oscar Rene Lozoya II
Visual Effects Artist
'Law & Order: Special Victims Unit' Dead Ball (2022)
Directed by: Michael Smith
Edited by: Pietro Cecchini
Visual Effects Artist
'Law & Order: Special Victims Unit' Breakwater (2022)
Directed by: Jean de Segonzac
Edited by: Karen I. Stern
Visual Effects Artist
'Law & Order: Special Victims Unit' The One You Feed (2022)
Directed by: Norberto Barba
Edited by: Pietro Cecchini
Visual Effects Artist
'Law & Order: Special Victims Unit' Mirror Effect (2022)
Directed by: Michael Smith
Edited by: Karen I. Stern
Visual Effects Artist
'Law & Order: Special Victims Unit' The Steps We Cannot Take (2022)
Directed by: Juan José Campanella
Edited by: Pietro Cecchini
Visual Effects Artist
'Law & Order: Special Victims Unit' Gimme Shelter - Part Two (2022)
Directed by: Jean de Segonzac
Visual Effects Artist
'Law & Order: Special Victims Unit' Confess Your Sins to Be Free (2022)
Directed by: Norberto Barba
Cinematography by: Feliks Parnell
Edited by: Oscar Rene Lozoya II
Visual Effects Artist
'Law & Order: Special Victims Unit' A Final Call at Forlini's Bar (2022)
Directed by: Juan José Campanella
Cinematography by: Feliks Parnell
Edited by: Leon Ortiz-Gil
Visual Effects Artist
'Law & Order: Special Victims Unit' Tangled Strands of Justice (2022)
Directed by: Jean de Segonzac
Visual Effects Artist
'Law & Order: Special Victims Unit' Eighteen Wheels a Predator (2022)
Directed by: Martha Mitchell
Visual Effects Artist
'Law & Order: Special Victims Unit' Once Upon a Time in El Barrio (2022)
Directed by: Oscar Rene Lozoya II
Edited by: Karen I. Stern
Visual Effects Artist
'Law & Order: Special Victims Unit' Sorry If It Got Weird for You (2022)
Directed by: Leslie Hope
Edited by: Leon Ortiz-Gil
Visual Effects Artist
'Law & Order: Special Victims Unit' Promising Young Gentlemen (2022)
Directed by: David Grossman
Visual Effects Artist
'Law & Order: Special Victims Unit' Video Killed the Radio Star (2022)
Directed by: Alex Zakrzewski
Edited by: Karen I. Stern
Visual Effects Artist
'Law & Order: Special Victims Unit' If I Knew Then What I Know Now (2022)
Directed by: Juan José Campanella
Edited by: Leon Ortiz-Gil
Visual Effects Artist
'Law & Order: Special Victims Unit' Tommy Baker's Hardest Fight (2022)
Directed by: Ed Bianchi
Edited by: Oscar Rene Lozoya II
Visual Effects Artist
'Law & Order: Special Victims Unit' Burning with Rage Forever (2022)
Directed by: Mary Lambert
Edited by: Leon Ortiz-Gil
Visual Effects Artist
'Law & Order: Special Victims Unit' Silent Night, Hateful Night (2022)
Directed by: Norberto Barba
Edited by: Karen I. Stern
Visual Effects Artist
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Visual Effects Artist
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
Post-vis Animator
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Digital Compositor
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Digital Compositor
Killing Them Softly (2012)
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
Digital Compositor
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Compositor
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Digital Compositor
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Compositor: Wildfire VFX
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Digital Compositor
Drive (2011)
Directed by: Nicolas Winding Refn
Cinematography by: Newton Thomas Sigel
Edited by: Matthew Newman
Visual Effects Compositor: Wildfire Visual Effects
50/50 (2011)
Directed by: Jonathan Levine
Cinematography by: Terry Stacey
Edited by: Zene Baker
Digital Compositor
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Digital Compositor
What's Your Number? (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Compositor: Wildfire VFX
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Digital Compositor
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Compositor: Wildfire VFX
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Digital Compositor
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Digital Compositor
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Digital Compositor
Extraordinary Measures (2010)
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Compositor: FuseFX
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Digital Compositor
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Digital Compositor
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Cg Artist: CIS Hollywood
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Visual Effects Artist
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cg Artist: CIS Hollywood
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Character Animator: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Modeler: Gray Matter FX
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Digital Artist
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Artist
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Animation Technical Director: DQI
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Visual Effects Artist - 27 Episodes, 2022-2023
Law & Order: Special Victims Unit (1999)
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
