Visual Effects Supervisor: Talking Bird Pictures
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Compositor: XY&Z
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Digital Compositor
American Hustle (2013)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Visual Effects Supervisor: Talking Bird Pictures
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Visual Effects Artist: Talking Bird Pictures
Elf-Man (2012)
Directed by: Ethan Wiley
Cinematography by: John Grove II
Edited by: Russell Denove
Cameras: Sony Cameras
Lenses: Red Digital Cinema Lenses
Editing System: Final Cut Pro Editing System
Compositor: XY&Z
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Main Title Design / Visual Effects Artist
Columbus Circle (2012)
Directed by: George Gallo
Cinematography by: Anastas N. Michos
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lead Compositor: Talking Bird Pictures
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Compositor: XY & Z Visual Effects
Bachelorette (2012)
Directed by: Leslye Headland
Cinematography by: Doug Emmett
Edited by: Jeffrey Wolf
Cameras: Red One MX Camera
Visual Effects Artist
Judy Moody and the Not Bummer Summer (2011)
Directed by: John Schultz
Cinematography by: Shawn Maurer
Edited by: John Pace
Compositor: XY&Z Visual Effects
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Vfx Compositor: XY&Z
Footloose (2011)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Digital Compositor: XY&Z
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Compositor: XY&Z
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Compositor: XY&Z
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Compositor: XY&Z
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Digital Artist
Middle Men (2009)
Directed by: George Gallo
Cinematography by: Lukas Ettlin
Edited by: Malcolm Campbell
Digital Compositor: Amalgamated Pixels
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Compositor: Amalgamated Pixels
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Compositor: Amalgamated Pixels
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Compositor: XY&Z
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Digital Compositor: Digital Dream
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: Amalgamated Pixels
My Sassy Girl (2008)
Directed by: Yann Samuell
Cinematography by: Eric Schmidt
Edited by: Anita Brandt Burgoyne
Additional Visual Effects: Amalgamated Pixels
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Digital Compositor: Amalgamated Pixels
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Additional Visual Effects
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Digital Compositor: XY&Z
My Best Friend's Girl (2008)
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Digital Compositor: XY&Z
Meet the Browns (2008)
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Digital Compositor: XY&Z
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Digital Compositor: Amalgamated Pixels
Nothing Like the Holidays (2008)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: Scott Kevan
Compositor: XY&Z Visual Effects
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Digital Compositor: XY&Z
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Senior Compositor: Amalgamated Pixels
Over Her Dead Body (2008)
Directed by: Jeff Lowell
Cinematography by: John Bailey
Edited by: Matt Friedman
Compositor: XY&Z Visual Effects
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Digital Compositor: Amalgamated Pixels
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Digital Visual Effects Artist
Death Sentence (2007)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
Compositor: X Y & Z Visual Effects
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Compositor: XY&Z Visual Effects
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Senior Digital Compositor: Amalgamated Pixels
The Fountain (2006)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Senior Compositor: Amalgamated Pixels Inc.
Peaceful Warrior (2006)
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Lead Digital Compositor: Amalgamated Pixels
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Digital Compositor: Pixel Magic
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Digital Compositor: Amalgamated Pixels
Believe in Me (2006)
Directed by: Robert Collector
Cinematography by: James L. Carter
Edited by: Anthony Redman
Digital Compositor: Amalgamated Pixels
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Senior Compositor: Amalgamated Pixels
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Digital Compositor: Amalgamated Pixels
Syriana (2005)
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Lead Digital Compositor: MetroLight
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Roto Artist: Amalgamated Pixels
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Compositor: Metrolight
Gods and Generals (2003)
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
