Digital Compositor
'The Librarians' And the Dark Secret (2017)
Directed by: Marc Roskin
Cinematography by: David Connell
Digital Compositor
'The Librarians' And the Steal of Fortune (2017)
Directed by: Eriq La Salle
Cinematography by: David Connell
Edited by: Ron Stanik
Digital Compositor
'The Librarians' And the Christmas Thief (2017)
Directed by: Noah Wyle
Cinematography by: David Connell
Edited by: Ron Stanik
Digital Compositor
'The Librarians' And the Loom of Fate (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'The Librarians' And the City of Light (2015)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Chris A. Peterson
Digital Compositor
'The Librarians' And the Heart of Darkness (2015)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Chris A. Peterson
Digital Compositor
'The Librarians' And the Rule of Three (2015)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'The Librarians' And the Fables of Doom (2015)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Chris A. Peterson
Digital Compositor - 13 Episodes, 2014-2017
The Librarians (2014)
Directed by: Marc Roskin, Jonathan Frakes, Dean Devlin, Noah Wyle, Rod Hardy, John Harrison, Emile B. Levisetti, Tawnia McKiernan, Courtney Rowe, Eriq La Salle, Nina Lopez-Corrado, Lindy Booth, Valerie Weiss
Cinematography by: David Connell
Cameras: Red Epic Dragon Camera, Red One MX Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
'The Librarians' And the Apple of Discord (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'The Librarians' And Santa's Midnight Run (2014)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'The Librarians' And the Horns of a Dilemma (2014)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'The Librarians' And the Sword in the Stone (2014)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'The Librarians' And the Crown of King Arthur (2014)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Nuke Artist: Digital Domain
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Digital Compositor
Temptation: Confessions of a Marriage Counselor (2013)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Digital Compositor: Digiscope
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Compositor
'Leverage' The Low Low Price Job (2012)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The Blue Line Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Digital Compositor
'Leverage' The Last Dam Job (2012)
Directed by: Dean Devlin
Cinematography by: David Connell
Digital Compositor
'Leverage' The Radio Job (2012)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Gold Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The Toy Job (2012)
Directed by: Jonathan Frakes
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Corkscrew Job (2012)
Directed by: Marc Roskin
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The White Rabbit Job (2012)
Directed by: P.J. Pesce
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The (Very) Big Bird Job (2012)
Directed by: John Rogers
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Frame-Up Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor
'Leverage' The Real Fake Car Job (2012)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Rundown Job (2012)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor
'Leverage' The Broken Wing Job (2012)
Directed by: John Harrison
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The D.B. Cooper Job (2012)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor
'Leverage' The Gimme a K Street Job (2012)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The French Connection Job (2012)
Directed by: Tawnia McKiernan
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The First Contact Job (2012)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
Good Deeds (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Compositor
Madea's Witness Protection (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Visual Effects Artist
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Digital Compositor
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Digital Compositor
'Leverage' The Boiler Room Job (2011)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Lonely Hearts Job (2011)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor
'Leverage' The Girls' Night Out Job (2011)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Experimental Job (2011)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Cross My Heart Job (2011)
Directed by: P.J. Pesce
Cinematography by: David Connell
Edited by: David Siegel
Visual Effects Artist
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Digital Compositor
'Leverage' The Grave Danger Job (2011)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The Carnival Job (2011)
Directed by: Frank Oz
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor
'Leverage' The Hot Potato Job (2011)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The Van Gogh Job (2011)
Directed by: John Rogers
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The 15 Minutes Job (2011)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor
'Leverage' The 10 Li'l Grifters Job (2011)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Long Way Down Job (2011)
Directed by: Dean Devlin
Cinematography by: Alan Caso
Edited by: Sonny Baskin
Senior Digital Paint Artist
Alvin and the Chipmunks: Chipwrecked (2011)
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Digital Compositor
'Leverage' The Ho Ho Ho Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The Jailhouse Job (2010)
Directed by: Dean Devlin
Cinematography by: David Connell
Digital Compositor
'Leverage' The Inside Job (2010)
Directed by: John Rogers
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Double Blind Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor
'Leverage' The Scheherazade Job (2010)
Directed by: Peter Winther
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor: Visual Effects Artist
'Leverage' The Gone Fishin' Job (2010)
Directed by: John Harrison
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor
'Leverage' The Studio Job (2010)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Digital Compositor: Visual Effects Artist
'Leverage' The Boost Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor: Visual Effects Artist
'Leverage' The Three-Card Monte Job (2010)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor: Visual Effects Artist
'Leverage' The Underground Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Compositor: Visual Effects Artist
'Leverage' The Rashomon Job (2010)
Directed by: Arvin Brown
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor: Visual Effects Artist
'Leverage' The King George Job (2010)
Directed by: Millicent Shelton
Cinematography by: David Connell
Edited by: David Siegel
Digital Compositor: Visual Effects Artist
'Leverage' The Morning After Job (2010)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Brian Gonosey
Digital Compositor And Matte Painter
'Leverage' The Big Bang Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Digital Compositor And Matte Painter
'Leverage' The San Lorenzo Job (2010)
Directed by: Marc Roskin
Cinematography by: David Connell
Edited by: Sonny Baskin
Roto Artist: Luma Pictures
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Visual Effects Artist
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Digital Paint And Roto
Our Family Wedding (2010)
Directed by: Rick Famuyiwa
Cinematography by: Julio Macat
Edited by: Dirk Westervelt
Visual Effects Artist
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Compositor: Wildfire VFX
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Digital Painter
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Compositor: Wildfire Visual Effects
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Visual Effects Artist
'Leverage' The Second David Job (2009)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Visual Effects Artist
'Leverage' The Fairy Godparents Job (2009)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Paint: And Compositing
Miss March (2009)
Cinematography by: Anthony B. Richmond
Edited by: Tim Mirkovich
Senior Roto/paint Artist: Luma Pictures
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Digital Compositor
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Roto/paint: R!OT
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Digital Painter
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Digital Painter
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Lead Digital Artist
Blood Creek (2009)
Directed by: Joel Schumacher
Cinematography by: Darko Suvak
Edited by: Mark Stevens
Digital Compositor / Digital Compositor: Visual Effects Artist / Visual Effects Artist / Digital Compositor And Matte Painter - 49 Episodes, 2008-2012
Leverage (2008)
Directed by: Marc Roskin, Dean Devlin, Jonathan Frakes, John Harrison, Arvin Brown, John Rogers, Jeremiah S. Chechik, Peter Winther, Rod Hardy, P.J. Pesce, Tawnia McKiernan, Craig R. Baxley, Tony Bill, Rob Minkoff, Peter O'Fallon, Millicent Shelton, Frank Oz
Editing System: Final Cut Pro Editing System
Digital Compositor
The Librarian: The Curse of the Judas Chalice (2008)
Directed by: Jonathan Frakes
Cinematography by: David Connell
Edited by: David Siegel
Visual Effects Artist
'Leverage' The Nigerian Job (2008)
Directed by: Dean Devlin
Cinematography by: David Connell
Edited by: Sonny Baskin
Digital Artist
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Painter
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Visual Effects
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Digital Paint & Rotoscope Lead: Digital Domain
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Digital Matte Painter/compositor
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Rotoscope Artist: Digital Domain
Letters from Iwo Jima (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Visual Effects: Invisible Girl
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Visual Effects
Kinsey (2004)
Directed by: Bill Condon
Cinematography by: Frederick Elmes
Edited by: Virginia Katz
Digital Painter / Visual Effects
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Compositor/paint
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
