Andrew M. Robinson

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8-Bit Christmas | ShotOnWhat?

First Assistant Director

8-Bit Christmas (2021)

Directed by: Michael Dowse

Cinematography by: Samy Inayeh

Edited by: Trevor Ambrose

Shazam! | ShotOnWhat?

First Assistant Director: Second Unit

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Kin | ShotOnWhat?

First Assistant Director

Kin (2018)

Directed by: Jonathan Baker, Josh Baker

Cinematography by: Larkin Seiple

Edited by: Mark Day

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Miss Sloane | ShotOnWhat?

First Assistant Director

Miss Sloane (2016)

Directed by: John Madden

Cinematography by: Sebastian Blenkov

Edited by: Alexander Berner

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke S4/i Lenses

X-Men: Apocalypse | ShotOnWhat?

First Assistant Director: Second Unit

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

RoboCop | ShotOnWhat?

First Assistant Director: Second Unit

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

X-Men: Days of Future Past | ShotOnWhat?

First Assistant Director: Second Unit

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

The Colony | ShotOnWhat?

Associate Producer, First Assistant Director

The Colony (2013)

Directed by: Jeff Renfroe

Cinematography by: Pierre Gill

Edited by: Aaron Marshall

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

Hemlock Grove | ShotOnWhat?

First Assistant Director - 1 Episode, 2013

Hemlock Grove (2013)

Television Series, Web Series

Directed by: David Straiton, Deran Sarafian, Russell Lee Fine, T.J. Scott, David Semel, Peter Cornwell, Eli Roth, Billy Gierhart, Sanaa Hamri, Vincenzo Natali, David Petrarca, Floria Sigismondi, Spencer Susser, Jon Amiel, Coky Giedroyc, Marc Jobst, Jim O'Hanlon, Carl Tibbetts

Cinematography by: Fernando Argüelles, John Grillo, Steven Poster

Edited by: Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson

Cameras: ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses: Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

"Hemlock Grove" Jellyfish in the Sky | ShotOnWhat?

First Assistant Director

'Hemlock Grove' Jellyfish in the Sky (2013)

Television Episode

Directed by: Eli Roth

Cinematography by: Fernando Argüelles, Steven Poster

Edited by: Jim Munro, Ronald Sanders

Total Recall | ShotOnWhat?

First Assistant Director: Second Unit

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Beastly | ShotOnWhat?

First Assistant Director

Beastly (2011)

Directed by: Daniel Barnz

Cinematography by: Mandy Walker

Edited by: Thomas J. Nordberg

RED | ShotOnWhat?

First Assistant Director

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Hot Tub Time Machine | ShotOnWhat?

First Assistant Director: Second Unit

Hot Tub Time Machine (2010)

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Resident Evil: Afterlife | ShotOnWhat?

First Assistant Director: Second Unit

Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

2012 | ShotOnWhat?

First Assistant Director: Second Unit

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Incredible Hulk | ShotOnWhat?

First Assistant Director: Second Unit

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Max Payne | ShotOnWhat?

First Assistant Director: Second Unit

Max Payne (2008)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

Jumper | ShotOnWhat?

Second Assistant Director

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Shoot 'Em Up | ShotOnWhat?

Second Assistant Director

Shoot 'Em Up (2007)

Directed by: Michael Davis

Cinematography by: Peter Pau

Edited by: Peter Amundson

Skinwalkers | ShotOnWhat?

Second Assistant Director

Skinwalkers (2006)

Directed by: James Isaac

Cinematography by: David A. Armstrong, Adam Kane

Edited by: Allan Lee

Cameras: Panavision Cameras

Cinderella Man | ShotOnWhat?

Second Assistant Director

Cinderella Man (2005)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Welcome to Mooseport | ShotOnWhat?

Second Assistant Director

Welcome to Mooseport (2004)

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

The Core | ShotOnWhat?

Second Assistant Director

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Elf | ShotOnWhat?

Second Assistant Director , Unit Manager: Second Unit

Elf (2003)

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Agent Cody Banks | ShotOnWhat?

Second Assistant Director

Agent Cody Banks (2003)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

It's All About Love | ShotOnWhat?

First Assistant Director: Vancouver

It's All About Love (2003)

Directed by: Thomas Vinterberg

Cinematography by: Anthony Dod Mantle

Edited by: Valdís Óskarsdóttir

Cameras: Moviecam Superlight Camera

Lenses: Zeiss Lenses, Zeiss Ultra Prime Lenses

Eye See You | ShotOnWhat?

Second Assistant Director

Eye See You (2002)

Directed by: Jim Gillespie

Cinematography by: Dean Semler

Edited by: Timothy Alverson, Steve Mirkovich

Equilibrium | ShotOnWhat?

Second Assistant Director

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

I Spy | ShotOnWhat?

Second Assistant Director: Second Unit, Budapest

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Trapped | ShotOnWhat?

Second Assistant Director

Trapped (2002)

Directed by: Luis Mandoki

Cinematography by: Frederick Elmes, Piotr Sobocinski

Edited by: Gerald B. Greenberg

The Pledge | ShotOnWhat?

Second Assistant Director

The Pledge (2001)

Directed by: Sean Penn

Cinematography by: Chris Menges

Edited by: Jay Cassidy

Replicant | ShotOnWhat?

Second Assistant Director

Replicant (2001)

Directed by: Ringo Lam

Cinematography by: Mike Southon

Edited by: David M. Richardson

Snow Falling on Cedars | ShotOnWhat?

Second Second Assistant Director

Snow Falling on Cedars (1999)

Directed by: Scott Hicks

Cinematography by: Robert Richardson

Edited by: Hank Corwin

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Max Q | ShotOnWhat?

First Assistant Director: Second Unit , Second Assistant Director

Max Q (1998)

Television Movie

Directed by: Michael Shapiro

Cinematography by: Glen MacPherson

Edited by: Michael Schweitzer

Wounded | ShotOnWhat?

Third Assistant Director

Wounded (1997)

Directed by: Richard Martin

Cinematography by: Gregory Middleton

Edited by: Kerry Uchida

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