Head Of Business And Legal Affairs: RT Features
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses
Head Of Business And Legal Affairs: RT Features
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
Lenses: CamTec Lenses, Zeiss Master Prime Lenses
Head Of Business And Legal Affairs: Welle Entertainment
Five Feet Apart (2019)
Directed by: Justin Baldoni
Cinematography by: Frank G. DeMarco
Edited by: Angela M. Catanzaro
Cameras: ARRI AMIRA Camera
Lenses: Cooke Lenses, Cooke Spherical Lenses
Production Counsel
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Head Of Business And Legal Affairs: Lava Bear Films
Arrival (2016)
Directed by: Denis Villeneuve
Cinematography by: Bradford Young
Edited by: Joe Walker
Head Of Business And Legal Affairs: Groundswell Productions
The Hollars (2016)
Directed by: John Krasinski
Cinematography by: Eric Alan Edwards
Edited by: Heather Persons
Cameras: ARRI ALEXA Plus 4:3 Camera
Head Of Business And Legal Affairs: RT Features
Little Men (2016)
Directed by: Ira Sachs
Cinematography by: Óscar Durán
Production Counsel
Bad Santa 2 (2016)
Directed by: Mark Waters
Cinematography by: Theo van de Sande
Edited by: Travis Sittard
Cameras: Panasonic VariCam 35
Lenses: Cooke Lenses
Head Of Business And Legal Affairs: Lava Bear Films
The Forest (2016)
Directed by: Jason Zada
Cinematography by: Mattias Troelstrup
Edited by: Jim Flynn
Cameras: ARRI ALEXA XT Plus Camera
Head Of Business And Legal Affairs: RT Features
The VVitch: A New-England Folktale (2015)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Cameras: ARRI ALEXA Plus 4:3 Camera
Head Of Business And Legal Affairs: Groundswell Productions
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Head Of Business And Legal Affairs: Red Granite Pictures
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Head Of Business And Legal Affairs: RT Features
Love Is Strange (2014)
Directed by: Ira Sachs
Cinematography by: Christos Voudouris
Head Of Business And Legal Affairs: Red Granite Pictures
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Business Affairs: Andrew Lauren Productions
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Production Counsel
The Impossible (2012)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Lenses: Zeiss Master Prime Lenses
Head Of Business And Legal Affairs: Groundswell Productions
Lola Versus (2012)
Directed by: Daryl Wein
Cinematography by: Jakob Ihre
Head Of Business And Legal Affairs - Lava Bear Films
Jin ling shi san chai (2011)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Peicong Meng
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Head Of Business And Legal Affairs: Groundswell Productions
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Head Of Business And Legal Affairs: Groundswell Productions
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Head Of Business And Legal Affairs: Groundswell Productions
The Informant! (2009)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Head Of Business And Legal Affairs: Radar Pictures
Horsemen (2009)
Directed by: Jonas Åkerlund
Cinematography by: Eric Broms
Head Of Business And Legal Affairs: Groundswell Productions
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Head Of Business And Legal Affairs: Groundswell Productions
The Mysteries of Pittsburgh (2008)
Directed by: Rawson Marshall Thurber
Cinematography by: Michael Barrett
Edited by: Barbara Tulliver
Head Of Business And Legal Affairs: Groundswell Productions
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Business And Legal Affairs: Groundswell
Smart People (2008)
Directed by: Noam Murro
Cinematography by: Toby Irwin
Head Of Business And Legal Affairs: Groundswell Productions
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Head Of Business And Legal Affairs: Platinum Dunes
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Business And Legal Affairs: Radar Pictures
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Head Of Business And Legal Affairs: Radar Pictures
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Head Of Business And Legal Affairs: Platinum Dunes
The Texas Chainsaw Massacre (2003)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury
Vice President, Legal And Business Affairs: Propaganda Films
Nurse Betty (2000)
Directed by: Neil LaBute
Cinematography by: Jean-Yves Escoffier
Vice President, Legal And Business Affairs: Propaganda Films
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Vice President, Legal And Business Affairs: Propaganda Films
A Thousand Acres (1997)
Directed by: Jocelyn Moorhouse
Cinematography by: Tak Fujimoto
Edited by: Maryann Brandon
Vice President, Legal And Business Affairs: Propaganda Films
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
