Michael A. Billings

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Skyscraper | ShotOnWhat?

Assistant Set Decorator

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

"Altered Carbon" The Killers | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' The Killers (2018)

Television Episode

Directed by: Peter Hoar

Cinematography by: Martin Ahlgren

Edited by: Michael Ruscio, Byron Smith

"Altered Carbon" Rage in Heaven | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' Rage in Heaven (2018)

Television Episode

Directed by: Peter Hoar

Cinematography by: Martin Ahlgren

Edited by: Byron Smith

"Altered Carbon" Clash by Night | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' Clash by Night (2018)

Television Episode

Directed by: Uta Briesewitz

Cinematography by: Neville Kidd

Edited by: Julian Clarke

"Altered Carbon" Nora Inu | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' Nora Inu (2018)

Television Episode

Directed by: Andy Goddard

Cinematography by: Neville Kidd

Edited by: Amy M. Fleming

"Altered Carbon" Man with My Face | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' Man with My Face (2018)

Television Episode

Directed by: Alex Graves

Cinematography by: Martin Ahlgren

Edited by: Amy M. Fleming

"Altered Carbon" Out of the Past | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' Out of the Past (2018)

Television Episode

Directed by: Miguel Sapochnik

Cinematography by: Martin Ahlgren

Edited by: Barry Alexander Brown

"Altered Carbon" Fallen Angel | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' Fallen Angel (2018)

Television Episode

Directed by: Nick Hurran

Cinematography by: Neville Kidd

"Altered Carbon" In a Lonely Place | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' In a Lonely Place (2018)

Television Episode

Directed by: Nick Hurran

Cinematography by: Neville Kidd

"Altered Carbon" Force of Evil | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' Force of Evil (2018)

Television Episode

Directed by: Alex Graves

Cinematography by: Martin Ahlgren

Edited by: Amy M. Fleming

"Altered Carbon" The Wrong Man | ShotOnWhat?

Assistant Set Decorator

'Altered Carbon' The Wrong Man (2018)

Television Episode

Directed by: Uta Briesewitz

Cinematography by: Neville Kidd

Edited by: Jonathan Chibnall

Altered Carbon | ShotOnWhat?

Assistant Set Decorator - 10 Episodes, 2018

Altered Carbon (2018)

Television Series

Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik

Cinematography by: Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon

Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

The BFG | ShotOnWhat?

Set Decorater Buyer

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Star Trek Beyond | ShotOnWhat?

Assistant Set Decorator

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Tomorrowland | ShotOnWhat?

Assistant Set Decorator

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Seventh Son | ShotOnWhat?

Set Dec Buyer

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Godzilla | ShotOnWhat?

Set Decoration Buyer

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Elysium | ShotOnWhat?

Set Dec Buyer

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Man of Steel | ShotOnWhat?

Set Decoration Buyer

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Set Dec Buyer

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Rise of the Planet of the Apes | ShotOnWhat?

Set Decorator: Reshoots

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

TRON | ShotOnWhat?

Assistant Set Decorator

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The A-Team | ShotOnWhat?

Set Decoration Buyer

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Watchmen | ShotOnWhat?

Set Buyer

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Assistant Set Decorator

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Shooter | ShotOnWhat?

Set Dresser

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pathfinder | ShotOnWhat?

Assistant Set Decorator

Pathfinder (2007)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Jay Friedkin, Glen Scantlebury

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

RV | ShotOnWhat?

Set Buyer

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

She's the Man | ShotOnWhat?

Set Dresser

She's the Man (2006)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Night at the Museum | ShotOnWhat?

Assistant Set Decorator

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

I, Robot | ShotOnWhat?

Set Decorating Buyer

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

On the Edge | ShotOnWhat?

Lead Dresser

On the Edge (2001)

Directed by: John Carney

Cinematography by: Eric Alan Edwards

Edited by: Dermot Diskin, Thomas Wise

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