John J. Ellingwood

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses

Editing System: Lightworks Editing System

First Assistant Camera: "b" Camera

Sabotage (2014)

Directed by: David Ayer

Cinematography by: Bruce McCleery

Edited by: Dody Dorn

First Assistant Camera: "b" Camera, Los Angeles

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

First Assistant Camera

Creature (2011)

Directed by: Fred Andrews

Cinematography by: Christopher Faloona

Edited by: Chris Conlee

Camera Assistant: Visual Effects

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

3d Rig Tech

Dolphin Tale (2011)

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Justin Bieber: Never Say Never | ShotOnWhat?

Assistant Camera / First Assistant Camera

Justin Bieber: Never Say Never (2011)

Directed by: Jon M. Chu

Cinematography by: Reed Smoot

Edited by: Jay Cassidy, Jillian Moul, Avi Youabian

Cameras: ARRI ALEXA Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera

Additional First Assistant Camera

Warrior (2011)

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Directed by: Gavin O'Connor

Cinematography by: Masanobu Takayanagi

Edited by: Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Assistant Camera

Jackass 3D (2010)

Directed by: Jeff Tremaine

Cinematography by: Lance Bangs, Dimitry Elyashkevich, Rick Kosick

Edited by: Seth Casriel, Matthew Kosinski, Matthew Probst

Cameras: Phantom HD Camera, Red One Camera, Silicon Imaging SI-2K Camera

Assistant Camera

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

First Assistant Camera

The Final Destination (2009)

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

First Assistant Photographer: "a" Camera, Second Unit

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Visual Effects Camera First Assitant

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

First Assistant Camera: Aerial Unit

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

First Assistant Camera

Friends with Money (2006)

Directed by: Nicole Holofcener

Cinematography by: Terry Stacey

Edited by: Robert Frazen

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

First Assistant Camera

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Dreamer: Inspired by a True Story | ShotOnWhat?

First Assistant Camera

Dreamer: Inspired by a True Story (2005)

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Additional First Assistant Camera

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

First Assistant Camera

'The X-Files' Trust No 1 (2002)

Directed by: Tony Wharmby

Cinematography by: Bill Roe

Edited by: Scott J. Wallace

First Assistant Camera

'The X-Files' John Doe (2002)

Directed by: Michelle MacLaren

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Hellbound (2002)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Provenance (2002)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Providence (2002)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Scott J. Wallace

"The X-Files" Audrey Pauley | ShotOnWhat?

First Assistant Camera

'The X-Files' Audrey Pauley (2002)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Underneath (2002)

Directed by: John Shiban

Cinematography by: Bill Roe

Edited by: Christopher Cooke

First Assistant Camera

'The X-Files' Improbable (2002)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Scott J. Wallace

"The X-Files" Scary Monsters | ShotOnWhat?

First Assistant Camera

'The X-Files' Scary Monsters (2002)

Directed by: Dwight H. Little

Cinematography by: Bill Roe

Edited by: Christopher Cooke

"The X-Files" Jump the Shark | ShotOnWhat?

First Assistant Camera

'The X-Files' Jump the Shark (2002)

Directed by: Cliff Bole

Cinematography by: Bill Roe

Edited by: Christopher Cooke

First Assistant Camera

'The X-Files' William (2002)

Directed by: David Duchovny

Cinematography by: Bill Roe

Edited by: Scott J. Wallace, Lynne Willingham

First Assistant Camera

'The X-Files' Release (2002)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" Sunshine Days | ShotOnWhat?

First Assistant Camera

'The X-Files' Sunshine Days (2002)

Directed by: Vince Gilligan

Cinematography by: Bill Roe

Edited by: Jeff Cahn

First Assistant Camera

'The X-Files' The Truth (2002)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Scott J. Wallace, Lynne Willingham

First Assistant Camera

'The X-Files' Surekill (2001)

Directed by: Terrence O'Hara

Cinematography by: Bill Roe

Edited by: Michael Kewley

First Assistant Camera

'The X-Files' Salvage (2001)

Directed by: Rod Hardy

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Badlaa (2001)

Directed by: Tony Wharmby

Cinematography by: Bill Roe

Edited by: Michael Kewley

First Assistant Camera

'The X-Files' The Gift (2001)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Chris G. Willingham

First Assistant Camera

'The X-Files' Medusa (2001)

Directed by: Richard Compton

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Per Manum (2001)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Chris G. Willingham

"The X-Files" This Is Not Happening | ShotOnWhat?

First Assistant Camera

'The X-Files' This Is Not Happening (2001)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Chris G. Willingham

First Assistant Camera

'The X-Files' Deadalive (2001)

Directed by: Tony Wharmby

Cinematography by: Bill Roe

Edited by: Regis Kimble

First Assistant Camera

'The X-Files' Three Words (2001)

Directed by: Tony Wharmby

Cinematography by: Bill Roe

Edited by: Regis Kimble

First Assistant Camera

'The X-Files' Empedocles (2001)

Directed by: Barry K. Thomas

Cinematography by: Bill Roe

Edited by: Chris G. Willingham

First Assistant Camera

'The X-Files' Vienen (2001)

Directed by: Rod Hardy

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Alone (2001)

Directed by: Frank Spotnitz

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Essence (2001)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Chris G. Willingham

First Assistant Camera

'The X-Files' Existence (2001)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Regis Kimble

"The X-Files" Nothing Important Happened Today | ShotOnWhat?

First Assistant Camera

'The X-Files' Nothing Important Happened Today (2001)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" Nothing Important Happened Today II | ShotOnWhat?

First Assistant Camera

'The X-Files' Nothing Important Happened Today II (2001)

Directed by: Tony Wharmby

Cinematography by: Bill Roe

Edited by: Scott J. Wallace

First Assistant Camera

'The X-Files' Dæmonicus (2001)

Directed by: Frank Spotnitz

Cinematography by: Bill Roe

Edited by: Christopher Cooke

First Assistant Camera

'The X-Files' 4-D (2001)

Directed by: Tony Wharmby

Cinematography by: Bill Roe

Edited by: Scott J. Wallace

"The X-Files" Lord of the Flies | ShotOnWhat?

First Assistant Camera

'The X-Files' Lord of the Flies (2001)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Christopher Cooke

First Assistant Camera

'The X-Files' Orison (2000)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

"The X-Files" The Amazing Maleeni | ShotOnWhat?

First Assistant Camera

'The X-Files' The Amazing Maleeni (2000)

Directed by: Thomas J. Wright

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" Signs & Wonders | ShotOnWhat?

First Assistant Camera

'The X-Files' Signs & Wonders (2000)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" Sein und Zeit | ShotOnWhat?

First Assistant Camera

'The X-Files' Sein und Zeit (2000)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Closure (2000)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' X-Cops (2000)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" First Person Shooter | ShotOnWhat?

First Assistant Camera

'The X-Files' First Person Shooter (2000)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Theef (2000)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' En Ami (2000)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

First Assistant Camera

'The X-Files' Chimera (2000)

Directed by: Cliff Bole

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' All Things (2000)

Directed by: Gillian Anderson

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Brand X (2000)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" Hollywood A.D. | ShotOnWhat?

First Assistant Camera

'The X-Files' Hollywood A.D. (2000)

Directed by: David Duchovny

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Fight Club (2000)

Directed by: Paul Shapiro

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Je Souhaite (2000)

Directed by: Vince Gilligan

Cinematography by: Bill Roe

Edited by: Louise Innes

First Assistant Camera

'The X-Files' Requiem (2000)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Within (2000)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Without (2000)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Chris G. Willingham

First Assistant Camera

'The X-Files' Patience (2000)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Roadrunners (2000)

Directed by: Rod Hardy

Cinematography by: Bill Roe

Edited by: Chris G. Willingham

First Assistant Camera

'The X-Files' Invocation (2000)

Directed by: Richard Compton

Cinematography by: Bill Roe

Edited by: Michael Kewley

First Assistant Camera

'The X-Files' Redrum (2000)

Directed by: Peter Markle

Cinematography by: Bill Roe

Edited by: Michael Kewley, Heather MacDougall

"The X-Files" Via Negativa | ShotOnWhat?

First Assistant Camera

'The X-Files' Via Negativa (2000)

Directed by: Tony Wharmby

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" Terms of Endearment | ShotOnWhat?

First Assistant Camera

'The X-Files' Terms of Endearment (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" The Rain King | ShotOnWhat?

First Assistant Camera

'The X-Files' The Rain King (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' S.R. 819 (1999)

Directed by: Daniel Sackheim

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Tithonus (1999)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Louise Innes

First Assistant Camera

'The X-Files' Two Fathers (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' One Son (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Louise Innes

First Assistant Camera

'The X-Files' Agua Mala (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall, Lynne Willingham

First Assistant Camera

'The X-Files' Monday (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

First Assistant Camera

'The X-Files' Arcadia (1999)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Alpha (1999)

Directed by: Peter Markle

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Trevor (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Milagro (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" The Unnatural | ShotOnWhat?

First Assistant Camera

'The X-Files' The Unnatural (1999)

Directed by: David Duchovny

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" Three of a Kind | ShotOnWhat?

First Assistant Camera

'The X-Files' Three of a Kind (1999)

Directed by: Bryan Spicer

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Field Trip (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

First Assistant Camera

'The X-Files' Biogenesis (1999)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

"The X-Files" The Sixth Extinction | ShotOnWhat?

First Assistant Camera

'The X-Files' The Sixth Extinction (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" The Sixth Extinction II: Amor Fati | ShotOnWhat?

First Assistant Camera

'The X-Files' The Sixth Extinction II: Amor Fati (1999)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Hungry (1999)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Millennium (1999)

Directed by: Thomas J. Wright

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Rush (1999)

Directed by: Robert Lieberman

Cinematography by: Bill Roe

Edited by: Louise Innes

"The X-Files" The Goldberg Variation | ShotOnWhat?

First Assistant Camera

'The X-Files' The Goldberg Variation (1999)

Directed by: Thomas J. Wright

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Steadicam Operator

Gunshy (1998)

Directed by: Jeff Celentano

Cinematography by: John B. Aronson

Edited by: Andy Horvitch

First Assistant Camera

Vampires (1998)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

"The X-Files" The Beginning | ShotOnWhat?

First Assistant Camera

'The X-Files' The Beginning (1998)

Directed by: Kim Manners

Cinematography by: Bill Roe

Edited by: Heather MacDougall

First Assistant Camera

'The X-Files' Drive (1998)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Lynne Willingham

First Assistant Camera

'The X-Files' Triangle (1998)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Louise Innes

First Assistant Camera

'The X-Files' Dreamland (1998)

Directed by: Rob Bowman

Cinematography by: Bill Roe

Edited by: Heather MacDougall

"The X-Files" Dreamland II | ShotOnWhat?

First Assistant Camera

'The X-Files' Dreamland II (1998)

Directed by: Michael W. Watkins

Cinematography by: Bill Roe

Edited by: Lynne Willingham

"The X-Files" How the Ghosts Stole Christmas | ShotOnWhat?

First Assistant Camera

'The X-Files' How the Ghosts Stole Christmas (1998)

Directed by: Chris Carter

Cinematography by: Bill Roe

Edited by: Lynne Willingham

Second Assistant Camera

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

First Assistant Camera

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

First Assistant Camera: "c" Camera

Broken Arrow (1996)

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

First Assistant Camera: "b" Camera

Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Under Siege 2: Dark Territory | ShotOnWhat?

Second Assistant Camera

Under Siege 2: Dark Territory (1995)

Directed by: Geoff Murphy

Cinematography by: Robbie Greenberg

Edited by: Michael Tronick

Second Assistant Camera

Crimson Tide (1995)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Second Assistant Camera

Junior (1994)

Directed by: Ivan Reitman

Cinematography by: Adam Greenberg

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Second Assistant Camera

North (1994)

Directed by: Rob Reiner

Cinematography by: Adam Greenberg

Edited by: Robert Leighton

Second Assistant Camera

Speed (1994)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

First Assistant Camera: "b" Camera

Mother's Boys (1993)

Directed by: Yves Simoneau

Cinematography by: Elliot Davis

Edited by: Michael D. Ornstein

First Assistant Camera - 84 Episodes, 1998-2002

The X-Files (1993)

Television Series

Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth

Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn

Cameras: ARRI ALEXA XT Camera, ARRI ARRIFLEX Series Cameras, Panavision Cameras

Lenses: Panavision Lenses

Second Assistant Camera

Toys (1992)

Directed by: Barry Levinson

Cinematography by: Adam Greenberg

Edited by: Stu Linder

Second Assistant Camera: "b" Camera

Lethal Weapon 3 (1992)

Directed by: Richard Donner

Cinematography by: Jan de Bont

Edited by: Robert Brown, Battle Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Second Assistant Camera

Mobsters (1991)

Directed by: Michael Karbelnikoff

Cinematography by: Lajos Koltai

Edited by: Joe D'Augustine, M. Scott Smith

Second Assistant Camera

Another You (1991)

Directed by: Maurice Phillips

Cinematography by: Victor J. Kemper

Edited by: Dennis M. Hill

Second Assistant Camera

Side Out (1990)

Directed by: Peter Israelson

Cinematography by: Ronald Víctor García

Edited by: Conrad Buff IV

Second Assistant Camera

I Love You to Death (1990)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Second Assistant Camera

Dead Poets Society (1989)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: William M. Anderson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Second Assistant Cameraman

Rain Man (1988)

Directed by: Barry Levinson

Cinematography by: John Seale

Edited by: Stu Linder

Cameras: Panavision Panaflex Camera

Assistant Camera

Die Hard (1988)

Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses

Directed by: John McTiernan

Cinematography by: Jan de Bont

Edited by: John F. Link, Frank J. Urioste

Cameras: Panavision Panaflex Gold Camera

Second Assistant Camera

Sharky's Machine (1981)