Additional Re-recording Mixer
The Post (2017)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Re-recording Mixer / Sound Designer
Fishing Without Nets (2014)
Directed by: Cutter Hodierne
Cinematography by: Alex Disenhof
Cameras: Red Epic Camera, Red Scarlet Camera
Re-recording Mixer / Supervising Sound Designer, Supervising Sound Editor
The Boxtrolls (2014)
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Sound Designer / Supervising Sound Editor
Monsters University (2013)
Directed by: Dan Scanlon
Edited by: Greg Snyder
Sound Re-recording Mixer: Skywalker Sound
Chasing Ice (2012)
Directed by: Jeff Orlowski
Cinematography by: Jeff Orlowski
Edited by: Davis Coombe
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Sound Designer
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Toy Story 3 (2010)
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Up (2009)
Cinematography by: Patrick Lin
Edited by: Kevin Nolting
Re-recording Mixer
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Re-recording Mixer / Sound Designer
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Re-recording Mixer
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Re-recording Mixer / Supervising Sound Editor
The Promotion (2008)
Directed by: Steve Conrad
Cinematography by: Lawrence Sher
Re-recording Mixer / Supervising Sound Editor
The Eye (2008)
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
Additional Re-recording Mixer, Sound Editor
The Simpsons Movie (2007)
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Sound Designer
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Cars (2006)
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Sound Editor / Sound Re-recording Mixer
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Sound Design: Skywalker Sound / Re-recording Mixer
Boundin' (2003)
Cinematography by: Jesse Hollander
Edited by: Steve Bloom
Re-recording Mixer: Skywalker Sound
The Hunted (2003)
Directed by: William Friedkin
Cinematography by: Caleb Deschanel
Edited by: Augie Hess
Re-recording Mixer: IMAX Version
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Sound Designer
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Re-recording Mixer: Skywalker Sound / Sound Designer: Skywalker Sound
Avalon (2001)
Directed by: Mamoru Oshii
Cinematography by: Grzegorz Kedzierski
Edited by: Hiroshi Okuda
Co-sound Designer / Sound Effects Editor , Sound Designer
Monsters, Inc. (2001)
Re-recording Mixer
O (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Re-recording Mixer / Sound Designer
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Re-recording Mixer , Sound Design: Skywalker Sound
For the Birds (2000)
Directed by: Ralph Eggleston
Sound Designer
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Sound Mixer / Sound Designer
Dogma (1999)
Directed by: Kevin Smith
Cinematography by: Robert D. Yeoman
Sound Designer, Sound Effects Editor / Sound Supervisor
Toy Story 2 (1999)
Cinematography by: Sharon Calahan
Re-Recording Mixer
Office Space (1999)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Sound Designer: Skywalker Sound
Quest for Camelot (1998)
Directed by: Frederik Du Chau
Edited by: Stanford C. Allen
Re-recording Mixer
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer , Sound Designer
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Sound Effects Editor
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Sound Design: Skywalker Sound / Re-recording Mixer
Geri's Game (1997)
Directed by: Jan Pinkava
Edited by: Jim Kallett
Sound: Design
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Additional Sound Design, Foley Re-recording Mixer
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
FX Recording / Assistant Sound Designer
Mission: Impossible (1996)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Foley Re-recording Mixer
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Foley Mixer
Casper (1995)
Directed by: Brad Silberling
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Cameras: Panavision Cameras
Sound Designer
Jade (1995)
Directed by: William Friedkin
Cinematography by: Andrzej Bartkowiak
Edited by: Augie Hess
Assistant Sound Editor , FX Recording / Assistant Sound Designer
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Assistant Sound Designer / Foley Recordist
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Assistant Sound Designer
A River Runs Through It (1992)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Designer
Single White Female (1992)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Assistant Sound Designer
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Rerecording Mixer , Rerecordist
Wild at Heart (1990)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Foley Mixer, Foley Re-recording Mixer
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Re-recording Mixer: 2004 Edition
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Re-recording Mixer: 2004 Edition
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Re-recording Mixer: 2004 Edition
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
Re-recording Mixer - 2004 Director's Cut / Sound Designer - 2004 Director's Cut
THX 1138 (1971)
Directed by: George Lucas
Edited by: George Lucas
