Art Director
Empire of Light (2022)
Movie
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA LF Camera
Art Director
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Art Director
1917 (2019)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Art Director
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Supervising Art Director
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Art Director
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Supervising Art Director
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Art Director
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Art Director
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Supervising Art Director
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Art Director
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Art Director
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Supervising Art Director
The Boy in the Striped Pajamas (2008)
Directed by: Mark Herman
Cinematography by: Benoît Delhomme
Edited by: Michael Ellis
Art Director
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Supervising Art Director
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Art Director
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Supervising Art Director
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Art Director
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Supervising Art Director
The Beach (2000)
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
Art Director
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Production Designer
Roseanna's Grave (1997)
Directed by: Paul Weiland
Cinematography by: Henry Braham
Edited by: Martin Walsh
Draughtsman
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Art Director
Splitting Heirs (1993)
Directed by: Robert Young
Cinematography by: Tony Pierce-Roberts
Edited by: John Jympson
