Tina Ulee

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"True Detective" Episode #4.1 | ShotOnWhat?

Costume Supervisor / Costume Supervisor

'True Detective' Episode #4.1 (2024)

Television Episode

Directed by: Issa López

Cinematography by: Florian Hoffmeister

American Fiction | ShotOnWhat?

Costume Supervisor

American Fiction (2023)

Directed by: Cord Jefferson

Cinematography by: Cristina Dunlap

Edited by: Hilda Rasula

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Tribe7 Blackwing7 Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Costumer

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Slender Man | ShotOnWhat?

Set Costumer

Slender Man (2018)

Directed by: Sylvain White

Cinematography by: Luca Del Puppo

Edited by: Jake York

Cameras: Sony PMW-F55 Camera, Sony α7S II Camera

Lenses: Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Measure of a Man | ShotOnWhat?

Key Costumer

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Thoroughbreds | ShotOnWhat?

Wardrobe Supervisor

Thoroughbreds (2017)

Directed by: Cory Finley

Cinematography by: Lyle Vincent

Edited by: Louise Ford

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Equalizer | ShotOnWhat?

Key Set Costumer

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

True Detective | ShotOnWhat?

Costume Supervisor / Costume Supervisor - 1 Episode, 2024

True Detective (2014)

Television Series

Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

R.I.P.D. | ShotOnWhat?

Costumer

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Labor Day | ShotOnWhat?

Set Costumer

Labor Day (2013)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

American Hustle | ShotOnWhat?

Background Set Costumer

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Here Comes the Boom | ShotOnWhat?

Additional Set Costumer

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lola Versus | ShotOnWhat?

Key Set Costumer

Lola Versus (2012)

Directed by: Daryl Wein

Cinematography by: Jakob Ihre

Edited by: Suzy Elmiger, Susan Littenberg

Moonrise Kingdom | ShotOnWhat?

Costumer

Moonrise Kingdom (2012)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Aaton A-Minima Camera, Aaton Xterà Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Men in Black 3 | ShotOnWhat?

Additional Costumer

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

What's Your Number? | ShotOnWhat?

Costumer

What's Your Number? (2011)

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Shutter Island | ShotOnWhat?

Costumer

Shutter Island (2010)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Editing System: Lightworks Editing System

The Sorcerer's Apprentice | ShotOnWhat?

Set Costumer

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Fighter | ShotOnWhat?

Costumer

The Fighter (2010)

Directed by: David O. Russell

Cinematography by: Hoyte Van Hoytema

Edited by: Pamela Martin

Cameras: Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Knight and Day | ShotOnWhat?

Set Costumer

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Pink Panther 2 | ShotOnWhat?

Additional Costumer

The Pink Panther 2 (2009)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Julia Wong

Cameras: Moviecam Compact Camera

Taking Woodstock | ShotOnWhat?

Set Costumer

Taking Woodstock (2009)

Directed by: Ang Lee

Cinematography by: Eric Gautier

Edited by: Tim Squyres

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dan in Real Life | ShotOnWhat?

Additional Costumer

Dan in Real Life (2007)

Directed by: Peter Hedges

Cinematography by: Lawrence Sher

Edited by: Sarah Flack

Underdog | ShotOnWhat?

Costumer

Underdog (2007)

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

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