Business Affairs
My Big Fat Greek Wedding 2 (2016)
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Business Affairs
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Senior Executive Vice President: Lionsgate Motion Picture Group
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Executive Vice President, Business Affairs: Mandate Pictures
Seeking a Friend for the End of the World (2012)
Directed by: Lorene Scafaria
Cinematography by: Tim Orr
Edited by: Zene Baker
Cameras: ARRI ALEXA Plus Camera
Senior Executive Vice President: Lionsgate Motion Picture Group
What to Expect When You're Expecting (2012)
Directed by: Kirk Jones
Cinematography by: Xavier Grobet
Edited by: Michael Berenbaum
Cameras: ARRI ALEXA Camera
Senior Executive Vice President: Lionsgate Motion Picture Group
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Senior Executive Vice President Of Motion Picture Group: Lionsgate
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Senior Executive Vice President: Lionsgate Motion Picture Group
Abduction (2011)
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Senior Executive Vice President: Lionsgate Motion Picture Group
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Executive Vice President Of Business Affairs: Mandate Pictures
50/50 (2011)
Directed by: Jonathan Levine
Cinematography by: Terry Stacey
Edited by: Zene Baker
Executive Vice President, Business Affairs: Mandate Pictures
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Executive Vice President, Business Affairs: Mandate Pictures
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Senior Executive Vice President: Lionsgate Motion Picture Group
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Senior Executive Vice President: Lionsgate Motion Picture Group
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Executive Vice President, Business Affairs: Mandate Pictures
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Executive Vice President, Business Affairs: Mandate Pictures
Whip It (2009)
Directed by: Drew Barrymore
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Executive Vice President, Business Affairs: Mandate Pictures
Boogeyman (2005)
Directed by: Stephen Kay
Cinematography by: Bobby Bukowski
Edited by: John Axelrad
Rights Acquisition
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Executive Vice President, Business Affairs: Mandate Pictures
Harold & Kumar Go to White Castle (2004)
Directed by: Danny Leiner
Cinematography by: Bruce Douglas Johnson
Edited by: Jeff Betancourt
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Executive Vice President Of Business Affairs: Senator International
The Grudge (2004)
Directed by: Takashi Shimizu
Cinematography by: Hideo Yamamoto
Edited by: Jeff Betancourt
Executive Vice President, Business Affairs: Intermedia Films
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Executive Vice President, Business Affairs: Intermedia Films
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Executive Vice President, Business Affairs: Intermedia Films
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Executive Vice President, Business Affairs: Intermedia Films
The Quiet American (2002)
Directed by: Phillip Noyce
Cinematography by: Christopher Doyle
Edited by: John Scott
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Vice President, Business Affairs: Intermedia Films
Dark Blue (2002)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Executive Vice President, Business Affairs: Intermedia Films
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Senior Vice President, Business Affairs: Intermedia Films
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Senior Vice President, Business Affairs: Intermedia Films
Blow Dry (2001)
Directed by: Paddy Breathnach
Cinematography by: Cian de Buitléar
Edited by: Tony Lawson
Vice President, Business Affairs: Intermedia Films
Where the Money Is (2000)
Directed by: Marek Kanievska
Cinematography by: Thomas Burstyn
Rights Acquisition
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Rights Acquisition
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Business Affairs/production Legal
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Vice President, Business Affairs: Intermedia Films
Clay Pigeons (1998)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Production Legal
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Production Legal
My Father the Hero (1994)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Marshall Harvey
Production Legal
Kalifornia (1993)
Directed by: Dominic Sena
Cinematography by: Bojan Bazelli
Edited by: Martin Hunter
Cameras: ARRI Cameras
Editing System: Lightworks Editing System
Production Legal
Prelude to a Kiss (1992)
Directed by: Norman René
Cinematography by: Stefan Czapsky
Edited by: Stephen A. Rotter
Production Legal
Sleeping with the Enemy (1991)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Production Legal
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Production Legal
The War of the Roses (1989)
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Production Legal
Say Anything... (1989)
Directed by: Cameron Crowe
Cinematography by: László Kovács
Edited by: Richard Marks
Cameras: Panavision Cameras
Production Legal
Young Guns (1988)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
