David G. Fremlin

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Set Designer

Kin (2018)

Motion Picture

Directed by: Jonathan Baker, Josh Baker

Cinematography by: Larkin Seiple

Edited by: Mark Day

Cameras: ARRI ALEXA Mini Camera

First Assistant Art Director

The Shape of Water (2017)

Motion Picture

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Sidney Wolinsky

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

Set Designer

Suicide Squad (2016)

Motion Picture

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Set Designer

Crimson Peak (2015)

Motion Picture

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

First Assistant Art Director

Pompeii (2014)

Motion Picture

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Michele Conroy

Cameras: Red Epic Camera

Editing System: Avid Editing System

First Assistant Art Director

RoboCop (2014)

Motion Picture

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Set Designer

Pacific Rim (2013)

Motion Picture

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Set Designer

Total Recall (2012)

Motion Picture

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

First Assistant Art Director

Scott Pilgrim vs. the World (2010)

Motion Picture

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Set Designer

Devil (2010)

Motion Picture

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

First Assistant Art Director

Amelia (2009)

Motion Picture

Directed by: Mira Nair

Cinematography by: Stuart Dryburgh

Edited by: Allyson C. Johnson, Lee Percy

Set Designer

The Incredible Hulk (2008)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

First Assistant Art Director

Jumper (2008)

Motion Picture

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Set Designer

Death Race (2008)

Motion Picture

Directed by: Paul W.S. Anderson

Cinematography by: Scott Kevan

Edited by: Niven Howie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Art Director

The Love Guru (2008)

Motion Picture

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

First Assistant Art Director

Shoot 'Em Up (2007)

Motion Picture

Directed by: Michael Davis

Cinematography by: Peter Pau

Edited by: Peter Amundson

First Assistant Art Director

Hairspray (2007)

Motion Picture

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Set Designer

Assault on Precinct 13 (2005)

Motion Picture

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Bill Pankow

Set Designer

Land of the Dead (2005)

Motion Picture

Directed by: George A. Romero

Cinematography by: Miroslaw Baszak

Edited by: Michael Doherty

Set Designer

Get Rich or Die Tryin' (2005)

Motion Picture

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Roger Barton, Conrad Buff IV

Cameras: Panavision Cameras

Set Designer

Resident Evil: Apocalypse (2004)

Motion Picture

Directed by: Alexander Witt

Cinematography by: Derek Rogers, Christian Sebaldt

Edited by: Eddie Hamilton

Set Designer

Godsend (2004)

Motion Picture

Directed by: Nick Hamm

Cinematography by: Kramer Morgenthau

Edited by: Niven Howie, Steve Mirkovich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

First Assistant Art Director

Welcome to Mooseport (2004)

Motion Picture

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

Set Designer

Bulletproof Monk (2003)

Motion Picture

Directed by: Paul Hunter

Cinematography by: Stefan Czapsky

Edited by: Robert K. Lambert

Set Designer

The Tuxedo (2002)

Motion Picture

Directed by: Kevin Donovan

Cinematography by: Stephen F. Windon

Edited by: Craig Herring

Set Designer: Additional Photography

Chicago (2002)

Motion Picture

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Martin Walsh

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Lightworks Editing System

First Assistant Art Director

Down to Earth (2001)

Motion Picture

Directed by: Chris Weitz, Paul Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

First Assistant Art Director

Don't Say a Word (2001)

Motion Picture

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

First Assistant Art Director

Exit Wounds (2001)

Motion Picture

Directed by: Andrzej Bartkowiak

Cinematography by: Glen MacPherson

Edited by: Derek Brechin

First Assistant Art Director

X-Men (2000)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Second Assistant Art Director

The Corruptor (1999)

Motion Picture

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

Cameras: Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Assistant Art Director

The Real Blonde (1997)

Motion Picture

Directed by: Tom DiCillo

Cinematography by: Frank Prinzi

Edited by: Keiko Deguchi, Camilla Toniolo

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David G. Fremlin

Set Designer

First Assistant Art Director

Set Designer

Set Designer

First Assistant Art Director

First Assistant Art Director

Set Designer

Set Designer

First Assistant Art Director

Set Designer

First Assistant Art Director

Set Designer

First Assistant Art Director

Set Designer

Art Director

First Assistant Art Director

First Assistant Art Director

Set Designer

Set Designer

Set Designer

Set Designer

Set Designer

First Assistant Art Director

Set Designer

Set Designer

Set Designer: Additional Photography

First Assistant Art Director

First Assistant Art Director

First Assistant Art Director

First Assistant Art Director

Second Assistant Art Director

Assistant Art Director

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