Ross Wahl

25 Titles

Is this you? Add a Profile

"Altered Carbon" Clash by Night | ShotOnWhat?

Set Buyer

'Altered Carbon' Clash by Night (2018)

Television Episode

Directed by: Uta Briesewitz

Cinematography by: Neville Kidd

Edited by: Julian Clarke

Altered Carbon | ShotOnWhat?

Set Buyer - 1 Episode, 2018

Altered Carbon (2018)

Television Series

Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik

Cinematography by: Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon

Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

Star Trek Beyond | ShotOnWhat?

On Set Dresser: Set Dec Buyer

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Tomorrowland | ShotOnWhat?

On Set Dresser / Set Dec Buyer

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Godzilla | ShotOnWhat?

On Set Dresser / Set Decoration Buyer

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Seventh Son | ShotOnWhat?

On Set Dresser

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

The Company You Keep | ShotOnWhat?

On-set Dresser

The Company You Keep (2012)

Directed by: Robert Redford

Cinematography by: Adriano Goldman

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera

This Means War | ShotOnWhat?

On Set Dresser

This Means War (2012)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rise of the Planet of the Apes | ShotOnWhat?

On-set Dresser

Rise of the Planet of the Apes (2011)

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mission: Impossible - Ghost Protocol | ShotOnWhat?

On Set Dresser

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

TRON | ShotOnWhat?

On Set Dresser

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The A-Team | ShotOnWhat?

On-set Dresser

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Tooth Fairy | ShotOnWhat?

On Set Dresser

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

On-set Dresser

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Good Luck Chuck | ShotOnWhat?

Set Dresser

Good Luck Chuck (2007)

Directed by: Mark Helfrich

Cinematography by: Anthony B. Richmond

Edited by: Julia Wong

The Invisible | ShotOnWhat?

On Set Dresser

The Invisible (2007)

Directed by: David S. Goyer

Cinematography by: Gabriel Beristain

Edited by: Conrad Smart

Night at the Museum | ShotOnWhat?

On Set Dresser

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

I, Robot | ShotOnWhat?

On-set Dresser

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

X2 | ShotOnWhat?

Set Decorator: Second Unit / Set Dresser

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Screwed | ShotOnWhat?

On Set Dresser

Screwed (2000)

Directed by: Scott Alexander, Larry Karaszewski

Cinematography by: Robert Brinkmann

Edited by: Michael Jablow

Mission to Mars | ShotOnWhat?

Leadman

Mission to Mars (2000)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Paul Hirsch

The 13th Warrior | ShotOnWhat?

Lead Dresser

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

I'll Be Home for Christmas | ShotOnWhat?

Lead Dresser

I'll Be Home for Christmas (1998)

Directed by: Arlene Sanford

Cinematography by: Hiro Narita

Edited by: Anita Brandt Burgoyne

Deep Rising | ShotOnWhat?

Set Dresser

Deep Rising (1998)

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

A Call to Remember | ShotOnWhat?

Lead Man

A Call to Remember (1997)

Television Movie

Directed by: Jack Bender

Cinematography by: David Geddes

Edited by: Mark Melnick

©2012 - 2024 ShotOnWhat?

20254.20