First Assistant Director - 9 Episodes, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
First Assistant Director: Second Unit
'Altered Carbon' Clash by Night (2018)
Directed by: Uta Briesewitz
Cinematography by: Neville Kidd
Edited by: Julian Clarke
First Assistant Director: Second Unit
'Altered Carbon' Rage in Heaven (2018)
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
Edited by: Byron Smith
First Assistant Director: Second Unit
'Altered Carbon' The Killers (2018)
Directed by: Peter Hoar
Cinematography by: Martin Ahlgren
First Assistant Director: Second Unit
'Altered Carbon' Nora Inu (2018)
Directed by: Andy Goddard
Cinematography by: Neville Kidd
Edited by: Amy M. Fleming
First Assistant Director: Second Unit
'Altered Carbon' Man with My Face (2018)
Directed by: Alex Graves
Cinematography by: Martin Ahlgren
Edited by: Amy M. Fleming
First Assistant Director: Second Unit
'Altered Carbon' Out of the Past (2018)
Directed by: Miguel Sapochnik
Cinematography by: Martin Ahlgren
Edited by: Barry Alexander Brown
First Assistant Director: Second Unit
'Altered Carbon' Fallen Angel (2018)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
First Assistant Director: Second Unit
'Altered Carbon' In a Lonely Place (2018)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
First Assistant Director: Second Unit
'Altered Carbon' Force of Evil (2018)
Directed by: Alex Graves
Cinematography by: Martin Ahlgren
Edited by: Amy M. Fleming
First Assistant Director: Second Unit
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Key Second Assistant Director: Second Unit
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Second Assistant Director
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
First Assistant Director: Second Unit, Canada
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Second Assistant Director: Iceland
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
First Assistant Director: Second Unit
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Additional First Assistant Director: Second Unit
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Key Second Assistant Director
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Key Second Assistant Director
Tooth Fairy (2010)
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Second Assistant Director: Second Unit
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Second Assistant Director
Are We Done Yet? (2007)
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Second Assistant Director: Second Unit
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Key Second Assistant Director: Second Unit
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Second Assistant Director
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Second Assistant Director
Hope Springs (2003)
Directed by: Mark Herman
Cinematography by: Ashley Rowe
Edited by: Michael Ellis
Key Second Assistant Director
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Second Assistant Director
The Whole Shebang (2001)
Directed by: George Zaloom
Cinematography by: Jacek Laskus
Edited by: J. Kathleen Gibson
Key Second Assistant Director: Additional Photography
Spy Game (2001)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director: Second Unit
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Second Assistant Director
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Second Assistant Director: Second Unit
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Key Second Assistant Director
Double Jeopardy (1999)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Director
'Creature' Night 2 (1998)
Directed by: Stuart Gillard
Cinematography by: Thomas Burstyn
Edited by: Rick Martin
Second Assistant Director
'Creature' Night 1 (1998)
Directed by: Stuart Gillard
Cinematography by: Thomas Burstyn
Edited by: Rick Martin
Second Assistant Director - 2 Episodes, 1998
Creature (1998)
Directed by: Stuart Gillard
Cinematography by: Thomas Burstyn
Edited by: Rick Martin
Second Assistant Director
'Millennium' Weeds (1997)
Directed by: Michael Pattinson
Cinematography by: Robert McLachlan
Edited by: George Potter
Second Assistant Director
'Millennium' Loin Like a Hunting Flame (1997)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Second Assistant Director
'Millennium' The Thin White Line (1997)
Directed by: Thomas J. Wright
Cinematography by: Robert McLachlan
Edited by: Stephen Mark
Second Assistant Director
'Millennium' Walkabout (1997)
Directed by: Cliff Bole
Cinematography by: Robert McLachlan
Edited by: George Potter
Second Assistant Director
'Millennium' Lamentation (1997)
Directed by: Winrich Kolbe
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Second Assistant Director
'Millennium' Broken World (1997)
Directed by: Winrich Kolbe
Cinematography by: Robert McLachlan
Edited by: Stephen Mark
Second Assistant Director
'Millennium' Paper Dove (1997)
Directed by: Thomas J. Wright
Cinematography by: Robert McLachlan
Edited by: George Potter
Second Assistant Director
'Millennium' The Well-Worn Lock (1996)
Directed by: Ralph Hemecker
Cinematography by: Robert McLachlan
Edited by: Stephen Mark
Second Assistant Director
'Millennium' 5-2-2-6-6-6 (1996)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Second Assistant Director
'Millennium' Kingdom Come (1996)
Directed by: Winrich Kolbe
Cinematography by: Robert McLachlan
Edited by: George Potter
Second Assistant Director
'Millennium' Gehenna (1996)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Stephen Mark
Second Assistant Director - 11 Episodes, 1996-1997
Millennium (1996)
Directed by: Thomas J. Wright, Paul Shapiro, Winrich Kolbe, David Nutter, Ralph Hemecker, Dwight H. Little, Allen Coulter, Jim Charleston, Peter Markle, Darin Morgan, Rod Pridy, Kenneth Fink, Randy Zisk, Cliff Bole, Rodman Flender, Perry Lang, Michael Pattinson, Michael W. Watkins, John Peter Kousakis, Daniel Sackheim, Arthur W. Forney
Second Assistant Director
Doctor Who (1996)
Directed by: Geoffrey Sax
Cinematography by: Glen MacPherson
Edited by: Patrick Lussier
Third Assistant Director
Slam Dunk Ernest (1995)
Directed by: John R. Cherry III
Cinematography by: David Geddes
Dgc Trainee
Born to Run (1993)
Directed by: Albert Magnoli
Cinematography by: Tobias A. Schliessler
Edited by: David Codron
