John Palmer

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Geostorm | ShotOnWhat?

Fabricator: Space Suits

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

"Castle" The Wrong Stuff | ShotOnWhat?

Costume Provider: Mars Suit

'Castle' The Wrong Stuff (2015)

Television Episode

Directed by: Paul Holahan

Cinematography by: Bill Roe

Edited by: David Latham

The Martian | ShotOnWhat?

Special Effects Crew

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Bridge of Spies | ShotOnWhat?

Special Effects: High Altitude Suit

Bridge of Spies (2015)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Editing System: Avid Editing System

Apollo 18 | ShotOnWhat?

Special Effects Crew

Apollo 18 (2011)

Directed by: Gonzalo López-Gallego

Cinematography by: José David Montero

Edited by: Patrick Lussier

Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses: Panavision Primo Digital Lenses

Castle | ShotOnWhat?

Costume Provider: Mars Suit - 1 Episode, 2015

Castle (2009)

Television Series

Cinematography by: Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis

Edited by: Warren Bowman, David Latham, Marta Evry, Orlando Machado Jr., Neil Felder, Dennis Virkler, Edward A. Warschilka, Sue Blainey, Amy McGrath, Jeff Freeman, Mark Manos, Jack Colwell, John Axness, Philip Fowler, Byron Smith

Cameras: ARRI ALEXA Studio Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Astronaut Farmer | ShotOnWhat?

Special Effects Coordinator: WonderWorks

The Astronaut Farmer (2006)

Directed by: Michael Polish

Cinematography by: M. David Mullen

Edited by: James Haygood

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Day After Tomorrow | ShotOnWhat?

Special Effects Supervisor: WonderWorks

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

The Core | ShotOnWhat?

Special Effects Project Supervisor: WonderWorks

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Space Cowboys | ShotOnWhat?

Special Effects Project Supervisor: WonderWorks

Space Cowboys (2000)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Max Q | ShotOnWhat?

Special Effects Project Supervisor: WonderWorks

Max Q (1998)

Television Movie

Directed by: Michael Shapiro

Cinematography by: Glen MacPherson

Edited by: Michael Schweitzer

Armageddon | ShotOnWhat?

Special Effects Supervisor: WonderWorks

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Deep Impact | ShotOnWhat?

Special Effects Project Supervisor: WonderWorks

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Species II | ShotOnWhat?

Special Effects: WonderWorks

Species II (1998)

Directed by: Peter Medak

Cinematography by: Matthew F. Leonetti

Edited by: Richard Nord

McHale's Navy | ShotOnWhat?

Special Effects Project Supervisor: WonderWorks

McHale's Navy (1997)

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

Cameras: Panavision Cameras

Turbo: A Power Rangers Movie | ShotOnWhat?

Special Effects Project Supervisor: WonderWorks

Turbo: A Power Rangers Movie (1997)

Directed by: Shuki Levy, David Winning

Cinematography by: Ilan Rosenberg

Edited by: Henry Richardson, B.J. Sears

Apollo 13 | ShotOnWhat?

Special Effects Supervisor: Apollo Capsule & LEM, WonderWorks

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Blown Away | ShotOnWhat?

Special Effects Foreman

Blown Away (1994)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

Grand Canyon | ShotOnWhat?

Special Effects Foreman

Grand Canyon (1991)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Abyss | ShotOnWhat?

Model Shop Manager: Wonderworks

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Back to the Future Part II | ShotOnWhat?

Special Effects Project Supervisor: WonderWorks

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

SpaceCamp | ShotOnWhat?

Special Effects: WonderWorks

SpaceCamp (1986)

Directed by: Harry Winer

Cinematography by: William A. Fraker

Edited by: Tim Board, John W. Wheeler

Something Wicked This Way Comes | ShotOnWhat?

Special Effects: WonderWorks

Something Wicked This Way Comes (1983)

Directed by: Jack Clayton

Cinematography by: Stephen H. Burum

Edited by: Barry Mark Gordon, Argyle Nelson Jr.

Cameras: Panavision Cameras

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