Special Effects Foreman
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Pyrotechnics Foreman
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Special Effects Coordinator: Second Unit
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Special Effects Foreman
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Special Effects Coordinator
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Special Effects Coordinator
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Pyrotechnic Foreman
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Powder Foreman: Second Unit
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Effects Power Foreman: Washington D.C.
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Special Effects Coordinator
Death Sentence (2007)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
Pyrotechnics Foreman
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Coordinator
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Key Special Effects Foreman
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Special Effects Technician
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Pyrotechnician
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Coordinator
Orange County (2002)
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
Pyrotechnician
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Special Effects Technician
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Special Effects Supervisor , Wernher Von Braun
October Sky (1999)
Directed by: Joe Johnston
Cinematography by: Fred Murphy
Edited by: Robert Dalva
Special Effects
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Special Effects Coordinator , Stunts
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Special Effects Supervisor
For Richer or Poorer (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Special Effects
Home for the Holidays (1995)
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Special Effects Coordinator
Deadly Outbreak (1995)
Directed by: Rick Avery
Cinematography by: Avi Koren
Edited by: Alain Jakubowicz
Special Effects Coordinator
Serial Mom (1994)
Directed by: John Waters
Cinematography by: Robert M. Stevens
Special Effects Coordinator
The Program (1993)
Directed by: David S. Ward
Cinematography by: Victor Hammer
Special Effects Supervisor
Rudy (1993)
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Special Effects Coordinator
Folks! (1992)
Directed by: Ted Kotcheff
Cinematography by: Larry Pizer
Edited by: Joan E. Chapman
Special Effects Coordinator
Trespass (1992)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Special Effects Coordinator
Mannequin: On the Move (1991)
Directed by: Stewart Raffill
Cinematography by: Larry Pizer
Special Effects Coordinator
Rocky V (1990)
Directed by: John G. Avildsen
Cinematography by: Steven Poster
Special Effects Coordinator
Lock Up (1989)
Directed by: John Flynn
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Special Effects Coordinator
Off Limits (1988)
Directed by: Christopher Crowe
Cinematography by: David Gribble
Edited by: Douglas Ibold
Special Effects
Hamburger Hill (1987)
Directed by: John Irvin
Cinematography by: Peter MacDonald
Edited by: Peter Tanner
Special Effects Team
Raw Deal (1986)
Directed by: John Irvin
Cinematography by: Alex Thomson
Edited by: Anne V. Coates
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: Cooke Xtal Express Lenses
Special Effects Coordinator
No Mercy (1986)
Directed by: Richard Pearce
Cinematography by: Michel Brault
Special Effects Supervisor
Manhunter (1986)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Edited by: Dov Hoenig
Mechanical Effects
Baby: Secret of the Lost Legend (1985)
Directed by: Bill Norton
Cinematography by: John Alcott
Cameras: ARRI Cameras
Special Effects
WarGames (1983)
Directed by: John Badham
Cinematography by: William A. Fraker
Edited by: Tom Rolf
Cameras: Panavision Cameras
Special Effects
Jimmy the Kid (1982)
Directed by: Gary Nelson
Cinematography by: Dennis Dalzell
Edited by: Richard C. Meyer
