Patrick Edward White

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Ford v Ferrari | ShotOnWhat?

Special Effects Foreman

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

21 Bridges | ShotOnWhat?

Special Effects Coordinator - As Patrick "Squares" White

21 Bridges (2019)

Directed by: Brian Kirk

Cinematography by: Paul Cameron

Edited by: Tim Murrell

Cameras: ARRI ALEXA XT M Camera, Sony CineAlta VENICE Camera

Creed II | ShotOnWhat?

Special Effects Coordinator

Creed II (2018)

Directed by: Steven Caple Jr.

Cinematography by: Kramer Morgenthau

Edited by: Dana E. Glauberman, Saira Haider, Paul Harb

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Lenses, Zeiss Master Prime Lenses

Baby Driver | ShotOnWhat?

Special Effects Technician

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

"It's Always Sunny in Philadelphia" The Gang Turns Black | ShotOnWhat?

Special Effects Supervisor

'It's Always Sunny in Philadelphia' The Gang Turns Black (2017)

Television Episode

Directed by: Matt Shakman

Cinematography by: John Tanzer

Live by Night | ShotOnWhat?

Special Effects Technician

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Magic Mike XXL | ShotOnWhat?

Special Effects Coordinator

Magic Mike XXL (2015)

Directed by: Gregory Jacobs

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Creed | ShotOnWhat?

Special Effects Coordinator

Creed (2015)

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Special Effects Technician

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Special Effects Technician

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Percy Jackson: Sea of Monsters | ShotOnWhat?

Special Effects Technician

Percy Jackson: Sea of Monsters (2013)

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Special Effects Technician

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Lincoln | ShotOnWhat?

Special Effects Technician

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Political Animals | ShotOnWhat?

Special Effects Coordinator - 3 Episodes, 2012

Political Animals (2012)

Directed by: David Petrarca, Greg Berlanti, Tucker Gates, Michael Morris, Bethany Rooney

Cinematography by: Michael Mayers, Alan Caudillo

Edited by: Barbara Gerard, Kristin Windell

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens

"Political Animals" Pilot | ShotOnWhat?

Special Effects Coordinator

'Political Animals' Pilot (2012)

Television Episode

Directed by: Greg Berlanti

Cinematography by: Michael Mayers

Edited by: Barbara Gerard, Kristin Windell

"Political Animals" Second Time Around | ShotOnWhat?

Special Effects Coordinator

'Political Animals' Second Time Around (2012)

Television Episode

Directed by: Bethany Rooney

Cinematography by: Michael Mayers

Edited by: Barbara Gerard

"Political Animals" The Woman Problem | ShotOnWhat?

Special Effects Coordinator

'Political Animals' The Woman Problem (2012)

Television Episode

Directed by: Michael Morris

Cinematography by: Michael Mayers

Edited by: Kristin Windell

The Twilight Saga: Breaking Dawn - Part 1 | ShotOnWhat?

Special Effects Technician

The Twilight Saga: Breaking Dawn - Part 1 (2011)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Help | ShotOnWhat?

Special Effects Technician

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Limitless | ShotOnWhat?

Shop Craftsman , Special Effects Technician

Limitless (2011)

Directed by: Neil Burger

Cinematography by: Jo Willems

Edited by: Tracy Adams, Naomi Geraghty

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

How Do You Know | ShotOnWhat?

Special Effects Technician

How Do You Know (2010)

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Last Airbender | ShotOnWhat?

Special Effects Assistant

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Lovely Bones | ShotOnWhat?

Special Effects

The Lovely Bones (2009)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Happening | ShotOnWhat?

Special Effects

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Tooth and Nail | ShotOnWhat?

Construction Coordinator, Special Effects Coordinator

Tooth and Nail (2007)

Directed by: Mark Young

Cinematography by: Gregg Easterbrook

Edited by: Mark Young

Shooter | ShotOnWhat?

Picture Car Wrangler

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Lady in the Water | ShotOnWhat?

Special Effects

Lady in the Water (2006)

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

It's Always Sunny in Philadelphia | ShotOnWhat?

Special Effects Supervisor - 1 Episode, 2017

It's Always Sunny in Philadelphia (2005)

Television Series

Directed by: Matt Shakman, Fred Savage, Daniel Attias, Randall Einhorn, Todd Biermann, Richie Keen, Heath Cullens, Jerry Levine, Kat Coiro, John Fortenberry, Jamie Babbit, Rob McElhenney, Maurice Marable, Josh Drisko, LP, Glenn Howerton

Cinematography by: Peter Smokler, John Tanzer, Eric Zimmerman

Edited by: Josh Drisko, Tim Roche, Robert Bramwell, Sung-Jin Lee, Patrick Walsh, Trevor Penna

Cameras: Panasonic AG-DVX100 Camera

The Woodsman | ShotOnWhat?

Construction Grip

The Woodsman (2004)

Directed by: Nicole Kassell

Cinematography by: Xavier Grobet

Edited by: Lisa Fruchtman, Brian A. Kates

The Village | ShotOnWhat?

Shop Craftsman

The Village (2004)

Directed by: M. Night Shyamalan

Cinematography by: Roger Deakins

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

The Believer | ShotOnWhat?

Worshiper

The Believer (2001)

Directed by: Henry Bean

Cinematography by: Jim Denault

Edited by: Mayin Lo, Lee Percy

Animal Factory | ShotOnWhat?

Prisoner

Animal Factory (2000)

Directed by: Steve Buscemi

Cinematography by: Phil Parmet

Edited by: Kate Williams

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