Score Mixer - 5 Episodes, 2023
Lessons in Chemistry (2023)
TV Mini Series
Edited by: Matthew Barbato, Geraud Brisson, Laura Zempel, Jack Cunningham, Daniel Martens, Lilly Wild
Cameras: ARRI ALEXA Mini LF Camera
Vocal Recording Engineer
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Scoring Mixer - 7 Episodes, 2020
The Queen's Gambit (2020)
Directed by: Scott Frank
Cinematography by: Steven Meizler
Edited by: Michelle Tesoro
Cameras: Red Monstro 8K Camera
Music Mixer
I, Tonya (2017)
Directed by: Craig Gillespie
Cinematography by: Nicolas Karakatsanis
Edited by: Tatiana S. Riegel
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Leitz Summilux-C Series Lenses
Score Mixer
The Lost City of Z (2016)
Directed by: James Gray
Cinematography by: Darius Khondji
Music Mixer
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Mixing Engineer
The Magic of Belle Isle (2012)
Directed by: Rob Reiner
Cinematography by: Reed Morano
Edited by: Dorian Harris
Cameras: ARRI ALEXA Camera
Score Mixer / Score Recordist
Sleepwalk with Me (2012)
Cinematography by: Adam Beckman
Edited by: Geoffrey Richman
Score Mixer
Damsels in Distress (2011)
Directed by: Whit Stillman
Cinematography by: Doug Emmett
Edited by: Andrew Hafitz
Additional Score Producer
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Additional Engineering
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Additional Music Engineer
True Grit (2010)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Score Mixer / Score Recordist
Temple Grandin (2010)
Directed by: Mick Jackson
Cinematography by: Ivan Strasburg
Edited by: Leo Trombetta
Music Scoring Mixer
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Score Mixer
Made for Each Other (2009)
Directed by: Daryl Goldberg
Cinematography by: William M. Miller
Edited by: Daryl Goldberg
Music Mixing Engineer
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Music Engineer
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Score Mixer / Score Recordist
Labor Pains (2009)
Directed by: Lara Shapiro
Cinematography by: Dan Stoloff
Edited by: Anne McCabe
Score Mixer
The Butterfly Effect 3: Revelations (2009)
Directed by: Seth Grossman
Cinematography by: Dan Stoloff
Edited by: Ed Marx
Score Mixer
Uncertainty (2008)
Cinematography by: Rain Li
Edited by: Paul Zucker
Cameras: ARRIFLEX D-20 Camera
Music Engineer
New York, I Love You (2008)
Directed by: Fatih Akin, Yvan Attal, Randall Balsmeyer, Allen Hughes, Shunji Iwai, Wen Jiang, Shekhar Kapur, Joshua Marston, Mira Nair, Natalie Portman, Brett Ratner
Cinematography by: Jean-Louis Bompoint, Benoît Debie, Pawel Edelman, Ping Bin Lee, Michael McDonough, Andrij Parekh, Declan Quinn, Mauricio Rubinstein
Score Mixer / Score Recordist
Soul Men (2008)
Directed by: Malcolm D. Lee
Cinematography by: Matthew F. Leonetti
Score Mixer / Score Recordist
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Score Mixer / Score Recordist
Última Parada 174 (2008)
Directed by: Bruno Barreto
Cinematography by: Antoine Héberlé
Edited by: Leticia Giffoni
Score Engineer / Score Mixer / Score Recordist
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Supervising Recording Engineer
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Score Mixer / Score Recordist
The Architect (2006)
Directed by: Matt Tauber
Cinematography by: John Bailey
Edited by: Tom McArdle
Score Recordist
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Music Engineer
Kettle of Fish (2006)
Directed by: Claudia Myers
Cinematography by: Neil Lisk
Edited by: Pete Beaudreau
Score Mixer / Score Recordist
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Score Mixer / Score Recordist
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Music Scoring Engineer / Music Scoring Mixer / Score Recordist
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Mixing Engineer / Recording Engineer
Headspace (2005)
Directed by: Andrew van den Houten
Cinematography by: William M. Miller
Edited by: Elwaldo Baptiste
Music Mixer / Score Recordist
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Additional Recordist
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Score Mixer / Score Recordist
Vulgar (2000)
Directed by: Bryan Johnson
Cinematography by: David Klein
Score Mixer / Score Recordist
The Dish (2000)
Directed by: Rob Sitch
Cinematography by: Graeme Wood
Edited by: Jill Bilcock
Score Recording Engineer
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Music Recordist
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Additional Engineering
The Red Violin (1998)
Directed by: François Girard
Cinematography by: Alain Dostie
Edited by: Gaétan Huot
Music Assistant Engineer
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Score Mixer / Score Recordist
The Castle (1997)
Directed by: Rob Sitch
Cinematography by: Miriana Marusic
Edited by: Wayne Hyett
Cameras: ARRIFLEX 16SR2 Camera
Editing System: Steenbeck Editing System
