Sound Supervisor/sfx Editor
'The Man in the High Castle' Now More Than Ever, We Care About You (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Jason Savage
Sound Supervisor/sfx Editor
'The Man in the High Castle' Imagine Manchuria (2018)
Directed by: Alex Zakrzewski
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Sound Supervisor/sfx Editor
'The Man in the High Castle' Sensô Kôi (2018)
Directed by: Ernest R. Dickerson
Cinematography by: James Hawkinson
Edited by: Monty DeGraff
Sound Supervisor/sfx Editor
'The Man in the High Castle' Sabra (2018)
Directed by: John Fawcett
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Sound Supervisor/sfx Editor
'The Man in the High Castle' The New Colossus (2018)
Directed by: Daniel Percival
Cinematography by: James Hawkinson
Edited by: Dorian Harris
Sound Supervisor/sfx Editor
'The Man in the High Castle' Excess Animus (2018)
Directed by: Steph Green
Cinematography by: James Hawkinson
Edited by: Jason Savage
Sound Supervisor/sfx Editor
'The Man in the High Castle' History Ends (2018)
Directed by: Meera Menon
Cinematography by: Gonzalo Amat
Edited by: Monty DeGraff
Supervising Sound Editor
'The Man in the High Castle' Jahr Null (2018)
Directed by: Daniel Percival
Cinematography by: Gonzalo Amat
Edited by: Jason Savage
Sound Supervisor/sfx Editor
'The Man in the High Castle' Kasumi (Through the Mists) (2018)
Directed by: Jennifer Getzinger
Cinematography by: Gonzalo Amat
Edited by: Dorian Harris
Sound Effects Editor
'The Man in the High Castle' Loose Lips (2016)
Directed by: Alex Zakrzewski
Cinematography by: James Hawkinson
Edited by: Joe Leonard
Sound Effects Editor
Kubo and the Two Strings (2016)
Directed by: Travis Knight
Cinematography by: Frank Passingham
Edited by: Christopher Murrie
Sound Effects Editor
God's Not Dead 2 (2016)
Directed by: Harold Cronk
Cinematography by: Brian Shanley
Cameras: ARRI ALEXA Camera, Red Epic Camera
Sound Supervisor/sfx Editor / Sound Effects Editor / Supervising Sound Editor - 10 Episodes, 2016-2018
The Man in the High Castle (2015)
Directed by: Daniel Percival, John Fawcett, Karyn Kusama, Alex Zakrzewski, Brad Anderson, Nelson McCormick, Ken Olin, Michael Rymer, David Semel, Michael Slovis, Bryan Spicer, Colin Bucksey, Paul Holahan, Chris Long, David Petrarca, Daniel Sackheim, Deborah Chow, Ernest R. Dickerson, Jennifer Getzinger, Steph Green, Meera Menon, Charlotte Brändström, Rachel Leiterman
Edited by: Jason Savage, Marta Evry, Jon Dudkowski, Mark C. Baldwin, Joe Leonard, Monty DeGraff, Dorian Harris, Julie Monroe, Sidney Wolinsky, Angela M. Catanzaro, Kathryn Himoff, Michael Kewley
Cameras: Red Epic Dragon Camera
Sound Effects Editor
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Sound Effects Editor
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Sound Effects Editor
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Adr: Editor
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Sound Effects Editor
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Sound Effects Editor
Warm Bodies (2013)
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Sound Effects Editor
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Sound Effects Editor
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Supervising Sound Editor
Killing Them Softly (2012)
Directed by: Andrew Dominik
Cinematography by: Greig Fraser
Lenses: Panavision HS50 50 mm T1.1 Lens
Sound Effects Editor - 13 Episodes, 2011
The Chicago Code (2011)
Directed by: Lesli Linka Glatter, Clark Johnson, Michael Offer, Adam Arkin, Paris Barclay, Jean de Segonzac, Guy Ferland, Billy Gierhart, Charles McDougall, Terrence O'Hara
Cameras: ARRI ALEXA Camera
Sound Effects Editor
'The Chicago Code' Mike Royko's Revenge (2011)
Directed by: Lesli Linka Glatter
Cinematography by: Rohn Schmidt
Edited by: Jordan Goldman
Sound Effects Editor
'The Chicago Code' Greylord & Gambat (2011)
Directed by: Paris Barclay
Cinematography by: Rohn Schmidt
Edited by: David Kaldor
Sound Effects Editor
'The Chicago Code' Black Sox (2011)
Directed by: Michael Offer
Cinematography by: Rohn Schmidt
Edited by: David Kaldor
Sound Effects Editor
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Sound Effects Editor
'The Chicago Code' Bathhouse & Hinky Dink (2011)
Directed by: Terrence O'Hara
Cinematography by: Rohn Schmidt
Edited by: Rick Tuber
Sound Effects Editor
'The Chicago Code' St. Valentine's Day Massacre (2011)
Directed by: Michael Offer
Cinematography by: Rohn Schmidt
Edited by: Jordan Goldman
Sound Effects Editor
'The Chicago Code' Wild Onions (2011)
Directed by: Adam Arkin
Cinematography by: Rohn Schmidt
Edited by: David Kaldor
Sound Effects Editor
'The Chicago Code' Black Hand and the Shotgun Man (2011)
Directed by: Billy Gierhart
Cinematography by: Rohn Schmidt
Edited by: Rick Tuber
Sound Editor
Seeking Justice (2011)
Directed by: Roger Donaldson
Cinematography by: David Tattersall
Edited by: Jay Cassidy
Cameras: Panavision Genesis Camera
Sound Effects Editor
'The Chicago Code' Pilot (2011)
Directed by: Charles McDougall
Cinematography by: M. David Mullen
Sound Effects Editor
'The Chicago Code' Hog Butcher (2011)
Directed by: Clark Johnson
Cinematography by: Rohn Schmidt
Edited by: Rick Tuber
Sound Effects Editor
'The Chicago Code' Gillis, Chase & Baby Face (2011)
Directed by: Guy Ferland
Cinematography by: Rohn Schmidt
Edited by: Jordan Goldman
Sound Effects Editor
'The Chicago Code' Cabrini Green (2011)
Directed by: Jean de Segonzac
Cinematography by: Rohn Schmidt
Edited by: Rick Tuber
Sound Effects Editor
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Sound Effects Editor
'The Chicago Code' The Gold Coin Kid (2011)
Directed by: Lesli Linka Glatter
Cinematography by: Rohn Schmidt
Edited by: David Kaldor
Sound Effects Editor
'The Chicago Code' O'Leary's Cow (2011)
Directed by: Clark Johnson
Cinematography by: Rohn Schmidt
Edited by: Jordan Goldman
Sound Effects Editor
Super (2010)
Directed by: James Gunn
Cinematography by: Steve Gainer
Edited by: Cara Silverman
Cameras: Red One Camera
Editing System: Avid Editing System
Sound Effects Editor
Every Day (2010)
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Sound Effects Editor: EarCandy
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Supervising Sound Editor
City Island (2009)
Directed by: Raymond De Felitta
Cinematography by: Vanja Cernjul
Edited by: David Leonard
Sound Effects Designer
Wristcutters: A Love Story (2006)
Directed by: Goran Dukic
Cinematography by: Vanja Cernjul
Edited by: Jonathan Alberts
Sound Effects Editor
The Astronaut Farmer (2006)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: James Haygood
Sound Effects Editor
Into the Blue (2005)
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Sound Effects Editor
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Dialog Supervisor
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Sound Effects Editor
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Sound Effects Editor
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Dialogue Editor
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Editor
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
First Assistant Sound Editor
My Big Fat Greek Wedding (2002)
Directed by: Joel Zwick
Cinematography by: Jeffrey Jur
Edited by: Mia Goldman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Sound Editor
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
First Assistant Sound Editor
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Assistant Sound Editor
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
First Assistant Sound Editor
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
First Assistant Sound Editor
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
First Assistant Sound Editor
The Rage: Carrie 2 (1999)
Cinematography by: Donald M. Morgan
Edited by: Richard Nord
First Assistant Sound Editor
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
First Assistant Sound Editor
Bulworth (1998)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Assistant Sound Editor
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Assistant Sound Editor
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
First Assistant Sound Editor
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Adr Assistant
The Chamber (1996)
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Assistant Sound Editor
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Assistant Sound Editor
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Assistant Sound Editor
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Assistant Sound Editor
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
First Assistant Sound Editor
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
